As we enter the summer concert season, everyone should be reminded that Merriweather Post Pavilion is the crown jewel of outdoor concert venues in the DMV and the best place to spend a summer evening. Nestled in the scenic woods of Columbia, Maryland,  Merriweather offers an unparalleled concert experience, making it a cherished landmark in the live music scene. The pavilion's deep bowl, the newly added skylawn, and the rolling green lawn leave no fan without a comfortable space to enjoy live music, and the numerous restaurants and bars serve cold drinks and various delicious food. With its rich history and a blend of natural beauty and architectural innovation, it is the perfect place to enjoy a summer concert, and it was where Hozier kicked off the summer concert season in the DMV with a sold out show on Friday, May 17, 2024.

Hozier's performance at Merriweather—his third in the area in the last year—was a journey through sound and emotion that resonated deeply with everyone present, but Allison Russell's opening performance perfectly set the stage for his coming set. Her blend of soulful and folky sounds and multi-instrumental blend of banjo and clarinet provided a perfect backing track for her powerful vocals. 

Under the twinkling glow of stage lights, Hozier began his set with two tracks from his new album Unreal Unearth: Unheard, "De Selby (Part 1)" and "De Selby (Part 2)." Part 1 immediately drew the audience into a reflective, almost meditative state, and then Part 2 got the crowd moving with its driving baseline, synthy harmonies, and belting chorus. The seamless transition between the two songs set a compelling tone for the evening, letting the audience know that Hozier's performance would be emotional and rocking.

The mood shifted with "Jackie and Wilson," an energetic track that had the crowd dancing and singing along. Hozier's ability to switch gears so effortlessly was on full display. "To Be Alone" brought a more old-school vibe, its Delta bluesy undertones gripping the audience with every bite from Hozier's guitar. The intensity continued with "Dinner & Diatribes," a song that bites with its lyrics and grips with its finger-picking rhythm.

"Francesca" was a standout moment, its narrative depth captivating everyone. Hozier's storytelling through music felt raw and authentic. "It Will Come Back" followed, its haunting melody and driving beat a powerful reminder of the darker sides of love. "Unknown/Nth," a track from Hozier's new album, brought fresh energy, engaging the crowd with twinkling guitar riffs and belting vocals.

"From Eden" provided a nostalgic shift, with longtime fans embracing its familiar swinging groove and melody. The concert reached new heights with "I, Carrion (Icarian)," a vocally and instrumentally kindhearted and gentle song that lifted the audience's spirit along with it. The magic continued as Allison Russell joined Hozier on stage for "Wildflower and Barley," another track from his new album. Their voices intertwined beautifully, creating a moment of pure musical harmony that felt almost sacred.

"Movement" and its clapping backbeat built tension and then released it in a wave of sound that had everyone swaying. "Would That I" was gentler, calming the pavilion soothingly. Next, Hozier played "Too Sweet," which is the track that has skyrocketed to #1 on the Billboard charts recently. The crowd erupted in cheers as the opening guitar riff and bass line began, and they exploded in a chorus during the song's chorus. "Almost (Sweet Music)" was a delightful nod to musical influences, bridging the gap between past inspirations and present creation.

"Eat Your Young" was a soulful track with a strong 70s influence that struck a chord with the audience. Hozier's emotive delivery amplified its powerful message. The crowd erupted as the opening chords of "Take Me to Church" began. This anthem, known and loved by many, was a communal experience, with each person contributing to the powerful chorus that filled the night air.

The encore began with "Cherry Wine," a tender, intimate performance that contrasted beautifully with the preceding powerhouse. "Nina Cried Power," with Melissa McMillan, was an electrifying tribute to the voices of protest and change, a call to remember the power of speaking out. The evening closed with "Work Song," featuring Allison Russell again. Their duet ended the night on a soulful note, leaving the audience in a reflective and satisfied silence.

Hozier's concert was more than just a series of songs; it was an emotional and spiritual experience told through his virtuoso singing and songwriting. His ability to blend deep, thoughtful lyrics with various musical styles created a dynamic performance that kept everyone engaged from start to finish. Hozier's vocal talents were also on full display, matching every note on his studio recordings and then some. For those present, it was a reminder of the profound impact that live music can have—an experience that lingers long after the final note has faded.

Hozier is continuing his US tour through the beginning of June 2024. Click here to see his remaining performances.