{"id":114158,"date":"2020-05-19T09:00:17","date_gmt":"2020-05-19T13:00:17","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=114158"},"modified":"2020-05-19T14:36:46","modified_gmt":"2020-05-19T18:36:46","slug":"in-the-middle-of-difficulty-lies-opportunity-how-one-dmv-crew-kept-the-music-playing","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/in-the-middle-of-difficulty-lies-opportunity-how-one-dmv-crew-kept-the-music-playing\/","title":{"rendered":"In The Middle Of Difficulty Lies Opportunity \u2013 How One DMV Crew Keeps The Music Playing"},"content":{"rendered":"

Contributed by Avik Ray, the co-founder of thecrossover.tv<\/a>, a DC based YouTube channel that brings artists together to create unique musical experiences.<\/em><\/p>\n

Our show is based on the fundamental belief that as a society, we can be creative through collaboration with others and that there is no better platform to show that than through music. We film our episodes live and in person and it is an unexplainable pleasure to feel the electricity in the room when artists perform together. We had been filming our episodes at 7DrumCity<\/strong> and were excited about an upcoming collaboration at the iconic Inner Ear Studios<\/strong>.<\/span><\/p>\n

It was all going great, we had started to build a portfolio of performances on our YouTube<\/strong> channel with musicians from the DC area, collaborating with other artists to create some great music videos. We were hitting our stride and had booked a ton of local artists to film for our show when suddenly everything came to a grinding halt courtesy of the virus that must not be named. <\/span><\/p>\n

With the pandemic in full flow we knew that it would be some time before we could get out and film our shows again as we had been doing. <\/span><\/p>\n

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Despite the chaos, somewhere in this vacuum, we felt there must be an opportunity. As if overnight, the playing field had been leveled. Artists around the world with huge recording contracts all of a sudden found themselves vying for attention with independent artists through Facebook live streams and a whole host of other creative solutions to getting their music to new audiences. If you are talented, all of a sudden there were no boundaries to being heard. <\/span><\/p>\n

Video is our chosen medium for dissemination of content and we also felt there was an opportunity to pivot and find a new way of differentiating ourselves. We tried out different ideas and tested a number of platforms to see if we could record live remotely and continue with a bastardized version of our current format but the latency issues made it very difficult to guarantee a high quality output. We saw bands using apps like Acapella<\/strong> which was pretty cool but being film guys, we wanted more flexibility. Our channel is built around the idea of collaboration and bringing artists together, it seemed like there was no time more important than now for that as well as an opportunity to try something we had been thinking about for a while: have artists perform together from anywhere.  <\/span><\/p>\n

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With the constraints of not being able to film or capture audio in person, we decided we had to rely on the artists to do that for us, guiding them through the process, helping with shot framing and the technical aspects of recording. The track would be passed around in a “postal service” style with the next artist adding their layer to the track. With the folks that responded to our initial call for artists, we also had the opportunity to partner artists together that would not normally have had the chance to cross paths. In every difficult moment, there is an opportunity to do something special. <\/span><\/p>\n

We started with two streams straight away and there was a very special buzz. One stream started with our friends Andrew Burleson<\/strong> and Joey Jenkins<\/strong> from the DC band Most Savage Gentlemen <\/strong>who we teamed up with Lil’ Maceo, <\/strong>a national recording artist who has played saxophone with the likes of Prince<\/strong> and Alicia Keys<\/strong>. With the recent passing of Bill Withers<\/strong>, the team found common ground and wanted to pay tribute to the great man with a cover of “Use Me.” Andrew had the idea to call in Jeff Madonna<\/strong> from LilWhiskeyKids <\/strong>and told me “this guy’s voice will really blow your hair back,” (or something to that effect!) and he was not wrong. Maceo recently moved to DC from NY and recruited his former band members from the tri-state area and the squad was complete.  <\/span><\/p>\n

It is always difficult to go first, but we are very proud of the artists that helped bring volume one of “the lockdown sessions” to life. We learned a lot in terms of process for these types of videos, made new friends in the process and had a great time doing so.  <\/span><\/p>\n

You can see the end result here: <\/span><\/p>\n

Credits: <\/span><\/strong><\/p>\n