{"id":116716,"date":"2021-09-10T16:20:03","date_gmt":"2021-09-10T20:20:03","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=116716"},"modified":"2021-09-14T10:21:15","modified_gmt":"2021-09-14T14:21:15","slug":"album-review-growroom-interpretations-vol-1-cure-for-pain-morphine-cover-album","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/album-review-growroom-interpretations-vol-1-cure-for-pain-morphine-cover-album\/","title":{"rendered":"Album Review \u2013 Growroom Interpretations Vol. 1 : Cure for Pain \u2013 Morphine Cover Album"},"content":{"rendered":"<p dir=\"ltr\">In its inaugural entry into the <em>Interpretations<\/em> series, <a href=\"https:\/\/www.growroom.productions\/\" target=\"_blank\" style=\"outline: none;\" rel=\"noopener\">Growroom Productions<\/a> has selected 12 eclectic DC and NYC-area artists to tackle a track-for-track cover of <strong>Morphine\u2019s <\/strong><em>Cure for the Pain<\/em>, an album that some may consider the magnum opus of one of the 90s most indisputably unique and inventive bands.<\/p>\n<p dir=\"ltr\">A seemingly ambitious first entry into the series given the avant-garde instrumentation, songwriting, and general approach to music <strong>Morphine <\/strong>took before <strong>Mark Sandman<\/strong>\u2019s untimely and tragic demise onstage, it proves to be a great starting point for what will hopefully be many entries in the series.&nbsp;<\/p>\n<p dir=\"ltr\">For context, the original <em>Cure for the Pain<\/em> recording primarily consists of unique instruments such as a 2-string slide bass and tritar accompanied by baritone and tenor saxophones and drums. Not exactly a conventional setup for an alternative rock band, but one that proved extremely effective.&nbsp;<\/p>\n<p dir=\"ltr\">This unconventional nature seems to have lent itself perfectly to reinterpretation. Each artist covers one song each from the album, and many times the artist\u2019s genre and sound are a far cry from the often murky and moody sound of the original. Yet it is almost uncanny how each one seems to tap directly into the soul of <strong>Sandman\u2019s <\/strong>compositions and lyrics, reinventing them in a way that strikes a fine balance between remaining true to the original work while providing a new and fresh perspective on the song that ultimately heightens the original.<\/p>\n<p dir=\"ltr\">Take, for instance, the electronic versions of the songs, specifically &#8220;All Wrong,&#8221; covered by NYC-based <strong>MKMKMK<\/strong>, and <strong>Aleutian Arc<\/strong>\u2019s version of &#8220;In Spite of Me.&#8221; Wildly different that the original versions, they prove to be two of the most interesting tracks, if for anything, due to the degree of departure from the source material.<\/p>\n<p dir=\"ltr\">But there are far more genres represented here. The <strong>MOD Orchestra<\/strong> kicks off the album with cover of &#8220;Dawna&#8221; that seems to venture into psychedelia and post-rock over waves of lush soundscapes. Punk and garage rock are strongly represented by <strong>Forrest Fire<\/strong>\u2019s &#8220;Mary Won\u2019t You Call My Name&#8221; and <strong>Badassassins<\/strong>\u2019 (it\u2019s easier to say with practice) &#8220;Thursday,&#8221; both highlights of the album.<\/p>\n<p dir=\"ltr\">However, the most interesting tracks may be offered up in the <strong>Gordon Sterling<\/strong> &amp; <strong>Candace Mills<\/strong> duet cover of &#8220;Let\u2019s Take a Trip Together,&#8221; and the album closer <strong>Miles Davis<\/strong>\u2019 &#8220;Funeral&#8221; by <strong>Dayvd Beach<\/strong>.<\/p>\n<p dir=\"ltr\">These are but a handful of songs on an eclectic album that stuck out to this reviewer. But there is no doubt in my mind that, whether one is familiar with the source material or not, there is something here for most music fans to appreciate. It may go so far as to broaden your horizons musically and inspire you to check out the source material, which any self-respecting music fan should give a listen at least once.<\/p>\n<p dir=\"ltr\">One hundred percent of the profits from the album will be donated to the <a href=\"https:\/\/www.publicjustice.org\/en\/\" target=\"_blank\" rel=\"noopener\"><strong>Public Justice Center<\/strong><\/a> to stand up for rights of underserved communities through legal advocacy. The <a href=\"https:\/\/soundcloud.com\/growroomproductions\/sets\/growroom-interpretations-vol-1\/s-LjVg8yi1wwA\" target=\"_blank\" rel=\"noopener\">album is available<\/a> starting September 10 for purchase and streaming services.<\/p>\n<p><span><img decoding=\"async\" alt=\"Growroom Interpretations Vol. 1 : Cure for Pain \u2013 Morphine Cure For Pain\" width=\"240\" height=\"240\" title=\"Morephine Cure For Pain\" data-id=\"116736\" src=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2021\/09\/Morephine-Cure-For-Pain-e1631501623966.png\" scale=\"0\" style=\"-webkit-user-select: none;\" data-width=\"240\" data-height=\"240\" data-init-width=\"421\" data-init-height=\"421\" loading=\"lazy\"><\/span><\/p>\n<p><strong>Various Artists<\/strong><\/p>\n<p><strong><em>Growroom Interpretations Vol 1.: Cure for Pain&nbsp;<\/em><\/strong><\/p>\n<p><strong>Released:<\/strong> Sept 10, 2021<\/p>\n<p><strong><u>Track Listing:<\/u><\/strong><\/p>\n<p>1. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/01-dawna-the-mod-orchestra?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">Dawna &#8211; The MOD Orchestra<\/a><\/p>\n<p>2. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/02-buena-backbeat-underground?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">Buena &#8211; Backbeat Underground ft Brother GoodLove<\/a><\/p>\n<p>3. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/02-buena-backbeat-underground?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\"><\/a><a href=\"https:\/\/soundcloud.com\/growroomproductions\/03-im-free-now-honest-lee-ft?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">I&#8217;m Free Now &#8211; Honest Lee ft Frank Mitchell Jr<\/a><\/p>\n<p>4. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/04-all-wrong-mkmkmk?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">All Wrong &#8211; MKMKMK<\/a><\/p>\n<p>5. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/05-candy-bumper-jacksons-duo?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">Candy &#8211; Bumper Jacksons Duo<\/a><\/p>\n<p>6. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/06-a-head-with-wings-three-man?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">A Head With Wings &#8211; Three Man Soul Machine<\/a><\/p>\n<p>7. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/07-in-spite-of-me-aleutian-arc?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">In Spite Of Me &#8211; Aleutian Arc<\/a><\/p>\n<p>8. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/08-thursday-badassassins?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">Thursday &#8211; Badassassins<\/a><\/p>\n<p>9. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/09-cure-for-pain-deborah-bond?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">Cure For Pain &#8211; Deborah Bond and the Compellers<\/a><\/p>\n<p>10. <a href=\"https:\/\/soundcloud.com\/growroomproductions\/10-mary-wont-you-call-my-name?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">Mary Won&#8217;t You Call My Name &#8211; Forrest Fire<\/a><\/p>\n<p>11.<a href=\"https:\/\/soundcloud.com\/growroomproductions\/10-mary-wont-you-call-my-name?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\"><\/a><a href=\"https:\/\/soundcloud.com\/growroomproductions\/11-lets-take-a-trip-together?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">&nbsp;Let&#8217;s Take A Trip Together &#8211; Gordon Sterling &amp; Candice Mills<\/a><\/p>\n<p>12.&nbsp;<a href=\"https:\/\/soundcloud.com\/growroomproductions\/12-sheila-slanigiro-renguez?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">Sheila &#8211; Slanigiro Renguez<\/a><\/p>\n<p>13.&nbsp;<a href=\"https:\/\/soundcloud.com\/growroomproductions\/13-miles-davis-funeral-dayvd?in=growroomproductions\/sets\/growroom-interpretations-vol-1\" style=\"outline: none;\">Miles Davis&#8217; Funeral &#8211; Dayvd Beach<\/a><\/p>\n<p><strong>Related Articles<\/strong><\/p>\n<p><strong><strong>Related<\/strong> Articles<\/strong><\/p>\n<p><strong><strong>Related<\/strong> Articles<\/strong><\/p>\n<p>Josh Hudson has also published the following album and concert reviews.<\/p>\n<p>Page <span data-extra_key=\"\" data-shortcode=\"tcb_pagination_current_page\" data-shortcode-name=\"Current page number\">[tcb_pagination_current_page]<\/span> of <span data-extra_key=\"\" data-shortcode=\"tcb_pagination_total_pages\" data-shortcode-name=\"Total number of pages\">[tcb_pagination_total_pages]<\/span><\/p>\n<p data-button_layout=\"text\" data-page=\"1\"><a href=\"#\"><span><span><\/span><\/span><span><span>First<\/span><\/span><\/a><\/p>\n<p data-button_layout=\"icon\" data-page=\"0\"><a href=\"#\"><span><span><\/span><\/span><span><span>Previous<\/span><\/span><\/a><\/p>\n<p data-button_layout=\"icon\" data-page=\"2\"><a href=\"#\"><span><span><\/span><\/span><span><span>Next<\/span><\/span><\/a><\/p>\n<p data-button_layout=\"text\" data-page=\"42\"><a href=\"#\"><span><span><\/span><\/span><span><span>Last<\/span><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In its inaugural entry into the Interpretations series, Growroom Productions has selected 12 eclectic DC and NYC-area artists to tackle a track-for-track cover of Morphine\u2019s Cure for the Pain, an album that some may consider the magnum opus of one of the 90s most indisputably unique and inventive bands. A seemingly ambitious first entry into [&hellip;]<\/p>\n","protected":false},"author":43,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[900,8624,7157],"tags":[20104,20105,20103],"class_list":["post-116716","post","type-post","status-publish","format-standard","hentry","category-album-review","category-made-in-the-dmv","category-on-our-radar","tag-growroom-interpretations","tag-josh-hudson","tag-morphine","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Album Review \u2013 Growroom Interpretations Vol. 1 : Cure for Pain \u2013 Morphine Cover Album<\/title>\n<meta name=\"description\" content=\"In its inaugural entry into the Interpretations series, Growroom Productions has selected 12 eclectic DC and NYC-area artists to 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