{"id":27355,"date":"2018-03-08T13:00:43","date_gmt":"2018-03-08T18:00:43","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=27355"},"modified":"2018-03-11T11:17:18","modified_gmt":"2018-03-11T15:17:18","slug":"roosevelt-collier-releases-debut-solo-album-exit-16","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/roosevelt-collier-releases-debut-solo-album-exit-16\/","title":{"rendered":"Roosevelt Collier Releases Debut Solo Album \u2018Exit 16\u2019"},"content":{"rendered":"<p><strong>Roosevelt Collier<\/strong>, affectionately penned \u201cThe Dr.,\u201d has built up his reputation as a master of the pedal steel guitar. The Florida native has played alongside legends such as the <strong>Allman Brothers<\/strong>, the <strong>Funky Meters<\/strong>, and <strong>Los<\/strong><strong>Lobos<\/strong>, among others. After years of jamming, the Dr. himself has released his very own debut album, <em>Exit 16<\/em>.<\/p>\n<p>Comprised of seven unique and intricate tracks, <em>Exit 16<\/em> is a powerhouse of an album, taking listeners on a epic rollercoaster of a journey. Tracks vary from medium to fast paced, but one constant throughout is excellent musicianship, with Collier (pedal steel and lap steel guitars), <strong>Jason JT Thomas<\/strong> (drums), <strong>Michael League<\/strong> (bass), and <strong>Bobby Sparks <\/strong>(organ and clarinet) working their magic.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image jetpack-lazy-image--handled wp-image-27882\" alt=\"\" width=\"1024\" height=\"683\" title=\"Roosevelt Collier\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3.jpg\" style=\"width: 100%\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-150x100.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-300x200.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-768x512.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-180x120.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-64x43.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-220x147.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-405x270.jpg 405w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-375x250.jpg 375w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-240x160.jpg 240w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-350x233.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-562x375.jpg 562w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-699x466.jpg 699w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-840x560.jpg 840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>&amp;lt;img class=&#8221;tve_image wp-image-27882 jetpack-lazy-image&#8211;handled&#8221; alt=&#8221;&#8221; width=&#8221;300&#8243; height=&#8221;200&#8243; title=&#8221;Roosevelt Collier&#8221; data-id=&#8221;27882&#8243; src=&#8221;\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-300&#215;200.jpg&#8221; scale=&#8221;0&#8243; style=&#8221;width: 100%; -webkit-user-select: none;&#8221; data-lazy-loaded=&#8221;1&#8243;&amp;gt;&amp;amp;amp;amp;amp;lt;img class=&#8221;tve_image wp-image-27882&#8243; alt=&#8221;&#8221; width=&#8221;300&#8243; height=&#8221;200&#8243; title=&#8221;Roosevelt Collier&#8221; data-id=&#8221;27882&#8243; src=&#8221;\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-additional-3-300&#215;200.jpg&#8221; scale=&#8221;0&#8243; style=&#8221;width: 100%; -webkit-user-select: none;&#8221;&amp;amp;amp;amp;amp;gt;<\/span><\/p>\n<p>I was hooked from the very first notes of \u201cSun Up Sun Down,\u201d as they reminded me of the soundtrack from the 1977 film <em>Suspiria<\/em>, scored by <strong>Goblin<\/strong>. However, the similarities end there, with the track spiraling into an upbeat, groovy jam session. The first track is a warm and easy welcome into an album that evokes a myriad of emotions. It\u2019s steady and smooth, with a beat that repeats. However, the track continuously builds, with more sounds and urgency added as the song goes on.&nbsp;<\/p>\n<p>When \u201cHappy Feet\u201d kicks off, the pedal steel quickly cues in the drums and begins a fast paced and upbeat song. With the pedal steel squealing in excitement, it really feels as though these instruments are alive, weaving in and out of each other to create the expert sound that Collier has championed. Sometimes instrumental music is key for concentration, but when listening to this track, I had to pause it, for concentrating on anything but the music is an impossible feat.<\/p>\n<p>Further down the track listing, the titular track \u201cExit 16\u201d leads off with a mysterious repeated note that cues in the remainder of the instruments. Although the tune leads off with hints of funk, the remainder of the jam feels heavier and more pressing, as though trying to convey something important. This falls in line with the notion that this album takes inspiration from Collier\u2019s life. He told <a href=\"https:\/\/liveforlivemusic.com\/features\/exclusives\/roosevelt-collier-exit16\/\"><strong>Live for Live Music<\/strong><\/a> that the album, and consequently this track, are named as such because exit 16 is \u201cliterally\u201d where he\u2019s from \u2014 \u201coff the turnpike.\u201d As a result, this track and this album are close to his heart, and you can feel the passion in every note.<\/p>\n<p>\u201cSpike\u201d closes out the album, leading off with a rock \u2019n roll style feedback sound. This track is grungy, edgier than the others. Collier\u2019s ability to make tracks like \u201cHappy Feet\u201d and \u201cSpike\u201d feel so cohesive in the same narrative is a nod to his brilliant talent.<\/p>\n<p>Listening to Roosevelt Collier\u2019s album, I felt my heartbeat accelerate to a very questionable rate, especially for someone sitting in the office on a coffee-less morning. Whether it was due to an unexplained excitement or an urge to move in time with the beat, or some combination of the two, I cannot say. However, what I do know for sure is that Collier plays with such an urgency and passion that this album will leave you breathless.<\/p>\n<p>Each track has its own distinct personality, yet they fit together so cohesively. Perhaps it is the reigning voice of the pedal steel, or perhaps the masterful playing of the musicians. Either way,<em> Exit 16<\/em> tells an exciting story bound to stick with you in the coming days.<\/p>\n<p><em>Photos courtesy of Carlos Topo Maseda<\/em><\/p>\n<p><span class=\"tve_image_frame\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image jetpack-lazy-image--handled wp-image-27551\" alt=\"\" width=\"300\" height=\"263\" title=\"Roosevelt Collier Exit 16\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main.jpg\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main-150x132.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main-137x120.jpg 137w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main-64x56.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main-220x193.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main-114x100.jpg 114w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main-285x250.jpg 285w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main-183x160.jpg 183w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>&amp;lt;img class=&#8221;tve_image wp-image-27551 jetpack-lazy-image&#8211;handled&#8221; alt=&#8221;&#8221; width=&#8221;300&#8243; height=&#8221;263&#8243; title=&#8221;Roosevelt Collier Exit 16&#8243; data-id=&#8221;27551&#8243; src=&#8221;\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main.jpg&#8221; scale=&#8221;0&#8243; style=&#8221;-webkit-user-select: none;&#8221; data-lazy-loaded=&#8221;1&#8243;&amp;gt;&amp;amp;amp;amp;amp;lt;img class=&#8221;tve_image wp-image-27551&#8243; alt=&#8221;&#8221; width=&#8221;300&#8243; height=&#8221;263&#8243; title=&#8221;Roosevelt Collier Exit 16&#8243; data-id=&#8221;27551&#8243; src=&#8221;\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/Roosevelt-Collier-Main.jpg&#8221; scale=&#8221;0&#8243; style=&#8221;-webkit-user-select: none;&#8221;&amp;amp;amp;amp;amp;gt;<\/span><\/p>\n<p><strong>Roosevelt Collier<\/strong><\/p>\n<p><strong><em>Exit 16<\/em><\/strong><\/p>\n<p><strong>Released:<\/strong> 2018<\/p>\n<p><strong><u>Track Listing:<\/u><\/strong><\/p>\n<p><u>Side A<\/u><\/p>\n<p>1. Sun Up Sun Down<\/p>\n<p>2. Happy Feet<\/p>\n<p>3. Make It Alright<\/p>\n<p>4. Exit 16<\/p>\n<p><u>Side B<\/u><\/p>\n<p>1. That Could&#8217;ve Been Bad<\/p>\n<p>2. Supernatural Encounters<\/p>\n<p>3. Spike<\/p>\n<\/p>\n<p><strong><u>Recording Notes:<\/u><\/strong><\/p>\n<p>Drums &#8211; <strong>Jason JT Thomas<\/strong>Bass &#8211; <strong>Michael League<\/strong>Organ &amp; Clavinet &#8211;<strong> Bobby Sparks<\/strong>Pedal Steel and Lap Steel Guitars &#8211; <strong>Roosevelt Collie<\/strong>r<\/p>\n<p>Recorded and Mixed by: Nic HardArranged by: Michael League and Roosevelt CollierProduced by: Michael LeagueMastered by: Dave McNair at Dave McNair Mastering, Winston-Salem, NC<\/p>\n<h3><u>Download \/ Purchase Options:<\/u><\/h3>\n<h3><u>Related Videos:<\/u><\/h3>\n<p>Check out the Official Music Video from Roosevelt Collier&#8217;s album <em>Exit 16<\/em>. This video should give you a small taste of what you can expect on the album.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Roosevelt Collier, affectionately penned \u201cThe Dr.,\u201d has built up his reputation as a master of the pedal steel guitar. The Florida native has played alongside legends such as the Allman Brothers, the Funky Meters, and LosLobos, among others. After years of jamming, the Dr. himself has released his very own debut album, Exit 16. Comprised [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":27879,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[900],"tags":[3431],"class_list":["post-27355","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-review","tag-roosevelt-collier","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Roosevelt Collier Releases Debut Solo Album \u2018Exit 16\u2019<\/title>\n<meta name=\"description\" content=\"Roosevelt Collier, affectionately penned \u201cThe Dr.,\u201d has built up his reputation as a master of the pedal steel guitar. 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