{"id":30211,"date":"2018-04-11T13:00:00","date_gmt":"2018-04-11T17:00:00","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=30211"},"modified":"2018-11-02T12:44:37","modified_gmt":"2018-11-02T16:44:37","slug":"field-report-concert-review","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/field-report-concert-review\/","title":{"rendered":"Field Report Delights at the Songbyrd Music House"},"content":{"rendered":"<p><strong>Christopher Porterfield<\/strong> (lead vocals, guitar) is the voice and power behind the chilling and brilliant musical experience, <strong>Field Report<\/strong>. Drawing a loyal fan base from the DMV, Porterfield welcomed the crowd with a sultry greeting, adding that he was \u201creally glad to be here,\u201d before kicking off the night with \u201cHealing Machine.\u201d&nbsp;<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-31723\" alt=\"\" width=\"680\" height=\"960\" title=\"The Field Report at Songbyrd\" data-id=\"31723\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report.jpg 680w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-106x150.jpg 106w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-213x300.jpg 213w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-85x120.jpg 85w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-45x64.jpg 45w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-156x220.jpg 156w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-71x100.jpg 71w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-191x270.jpg 191w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-177x250.jpg 177w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-113x160.jpg 113w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-266x375.jpg 266w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-330x466.jpg 330w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/the-field-report-397x560.jpg 397w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/span><\/p>\n<p>The few who took seats in the pews lining the walls quickly stood and squeezed themselves into the crowd, gently pushing forward toward stage once Field Report came out. Those in attendance were a polite and enthusiastic audience, applauding and cheering at the start and close of each song. Playing with <strong>Devin Drobka&nbsp;<\/strong>(drums, fiddle, banjo, backing vocals), <strong>Thomas Wincek&nbsp;<\/strong>(guitar, keyboards, backing vocals), and <strong>Barry Clark <\/strong>(bass), Friday night\u2019s performance was their first appearance at Songbyrd.<\/p>\n<p>The artistically designed and grungy basement venue was the perfect spot for Field Report and their opening band, <strong>Campdogzz<\/strong>, whose live sound was <a href=\"https:\/\/www.youtube.com\/watch?v=gekHV9DIjHc\" style=\"-webkit-user-select: none;\" target=\"_blank\"><strong>First Aid Kit<\/strong><\/a> meets <a href=\"https:\/\/www.youtube.com\/watch?v=fDW-W2J84Hc\" style=\"-webkit-user-select: none;\" target=\"_blank\"><strong>Sharon Van Etten<\/strong><\/a>. <strong>Jess Price\u2019s <\/strong>vocals led the band in a romantic and soulful setlist.<\/p>\n<p>\u201cMichelle\u201d was a highlight of the night. With lyrics like poetry, and a live rendition that sounded like a more folksy <strong>The Cure<\/strong>, Porterfield sang with a such a concentrated passion that despite performing in front of 100+ people, it was clear he had zoned into his own musical universe. In the same vein, concertgoers let the music wash over them and consume their beings. Field Report drew in a romantically inclined crowd, with couples swaying intimately to the slower tracks.<\/p>\n<p>With instruments that shared similarities in sound with those utilized by <strong>Justin Vernon <\/strong>\u2014 such as a gentle, yet masterful guitar strum, as well as mystical sounding chimes and bells \u2014Porterfield\u2019s vocals were reminiscent of a folksy <a href=\"https:\/\/www.youtube.com\/watch?v=ZF_c5n7kTdw\" style=\"-webkit-user-select: none;\" target=\"_blank\"><strong>Glen Hansard<\/strong><\/a><strong>,<\/strong> as well as <a href=\"https:\/\/www.youtube.com\/watch?v=6zN4_7hq77g\" style=\"-webkit-user-select: none;\" target=\"_blank\"><strong>David Gray<\/strong><\/a><strong>&nbsp;<\/strong>and even <strong>Eddie Vedder <\/strong>at times. Around halfway through his set, Porterfield checked in with the crowd to make sure everyone was enjoying themselves. Although he modestly said that he was \u201ca little out of shape\u201d and \u201cout of rhythm,\u201d the Wisconsin native performed with such skill and precision, it was hard to pull your eyes away.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-34946\" alt=\"\" width=\"1024\" height=\"643\" title=\"Field Report\" data-id=\"34946\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981.jpg\" style=\"width: 100%; -webkit-user-select: none;\" scale=\"0\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-150x94.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-300x188.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-768x482.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-191x120.jpg 191w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-64x40.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-220x138.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-159x100.jpg 159w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-430x270.jpg 430w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-398x250.jpg 398w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-255x160.jpg 255w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-350x220.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-597x375.jpg 597w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-742x466.jpg 742w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5981-892x560.jpg 892w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p>It is clear that Field Report care deeply about their fans, as Porterfield called out to the crowd, saying that unless anyone had requests, they\u2019d continue playing off \u201cthe teleprompter.\u201d Fans shouted out their favorites, much to the band\u2019s delight. The happiness was reciprocated by the audience, as Field Report played fan favorites, including \u201cFergus Falls,\u201d during which one man excitedly whispered to his girlfriend, \u201cthis is it!\u201d when the opening notes rang out.<\/p>\n<p>The band played a wide range of songs, with those on the setlist being more upbeat (or at least played in such a manner), and those that were taken as requests being slower and more intimate. However, after a few fan requests, the catchy, yet extremely well made \u201cNever Look Back,\u201d brought the pace back up. With chimes, bells, and synth programming sprinkled throughout the chorus, the upbeat track would be a perfect addition to your summer road trip playlist. Although the beat creates the illusion that \u201cNever Look Back\u201d is an uplifting track, a closer look shows that there may be deeper undertones: \u201cForgiveness does not excuse\/It just prevents all of the others from destroying you\/Never turn around and look back.\u201d And that\u2019s part of Field Report\u2019s mastery \u2014 the ability to craft thought-provoking and relatable lyrics and insert them into a rhythm that forces the listener to pay attention in order to get the full impact of the music. Although the band can be enjoyed as an easy and relaxed listen, Field Report are best consumed with full attention and intent.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-34940\" alt=\"\" width=\"1024\" height=\"672\" title=\"Christopher Porterfield contemplates and answers questions from his fans.\" data-id=\"34940\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822.jpg\" style=\"width: 100%; -webkit-user-select: none;\" scale=\"0\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-150x98.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-300x197.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-768x504.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-183x120.jpg 183w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-64x42.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-220x144.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-152x100.jpg 152w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-411x270.jpg 411w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-381x250.jpg 381w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-244x160.jpg 244w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-350x230.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-571x375.jpg 571w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-710x466.jpg 710w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5822-853x560.jpg 853w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-162abfd2656\">Christopher Porterfield contemplates and answers questions from his fans.<\/p>\n<p>Throughout the night, Porterfield had excellent and light-hearted banter with the crowd, even asking the audience, \u201cDoes anyone have any questions?\u201d When one person questioned how his daughter was, Porterfield launched into a proud ramble about his one and a half year old. You could hear the happiness in his voice as he talked about her and how much he missed her after being away for 13 days. Porterfield\u2019s rapport with his fans depicted him as a supremely good human being, on top of being a talented musician.&nbsp;<\/p>\n<p>The band closed out the night with \u201cEverything I Need,\u201d saying that it would be their final track, making sure to emphasize that they weren\u2019t going to do the whole \u201cwill they won\u2019t they\u201d do an encore shtick. Closing the night on a positive note, Porterfield said, \u201cbe encouraged, take heart, we\u2019re gonna get through this.\u201d&nbsp;<\/p>\n<p>Field Report are not to be missed, as Porterfield\u2019s passion comes through in every song, every note, and in every scratch and crack of his voice.&nbsp;<\/p>\n<h4 data-css=\"tve-u-165ed92264e\"><strong>Setlist<\/strong><\/h4>\n<h4 data-css=\"tve-u-165ed92264e\"><strong>Setlist<\/strong><\/h4>\n<h4 data-css=\"tve-u-165ed92264e\"><strong>Setlist<\/strong><\/h4>\n<p><span class=\"tve_not_editable tve_toggle\"><\/span><\/p>\n<h4 class=\"tve_editable\" data-css=\"tve-u-162a0fc1e83\">Click here to see the setlist for Field Report&#8217;s performance at Songbyrd on April 6, 2018<\/h4>\n<p data-css=\"tve-u-162a0fc1e85\"><strong><u>Performance<\/u><\/strong><\/p>\n<p data-css=\"tve-u-162a0fc1e82\">1. Healing Machine<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">2. Tightrope<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">3. Blind Spot<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">4. Michelle<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">5. If I Knew<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">6. 60 Second<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">7. Every Time<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">8. XX &nbsp;<strong><span data-css=\"tve-u-162a0ffb096\" style=\"font-size: 12px;\">[1]<\/span><\/strong><\/p>\n<p data-css=\"tve-u-162a0fc1e82\">9. XX &nbsp;<strong><span data-css=\"tve-u-162a0ff6830\" style=\"font-size: 12px;\">[1]<\/span><\/strong><\/p>\n<p data-css=\"tve-u-162a0fc1e82\">10. Ambrosia<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">11. Never Look Back<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">12. Summertime<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">13. Occupied Mind<\/p>\n<p data-css=\"tve-u-162a0fc1e82\">14. Everything I Need<\/p>\n<p><span class=\"tve_image_frame\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-34262\" alt=\"\" width=\"806\" height=\"1024\" title=\"Field Report Setlist\" data-id=\"34262\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451.jpg\" scale=\"0\" style=\"-webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451.jpg 806w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-118x150.jpg 118w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-236x300.jpg 236w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-768x976.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-94x120.jpg 94w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-50x64.jpg 50w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-173x220.jpg 173w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-79x100.jpg 79w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-213x270.jpg 213w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-197x250.jpg 197w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-126x160.jpg 126w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-295x375.jpg 295w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-367x466.jpg 367w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/04\/9O6A5451-441x560.jpg 441w\" sizes=\"auto, (max-width: 806px) 100vw, 806px\" \/><\/span><\/p>\n<p data-css=\"tve-u-162a0fc1e7c\"><strong>Notes:<\/strong><\/p>\n<p data-css=\"tve-u-162a0fc1e7a\">1. Song 8 &amp; 9 were reserved for fan favorites requested from audience by Christopher Porterfield.<\/p>\n<p data-css=\"tve-u-165ed923ff7\"><strong>Photo Gallery<\/strong><\/p>\n<p data-css=\"tve-u-165ed923ff7\"><strong>Photo Gallery<\/strong><\/p>\n<p data-css=\"tve-u-165ed924005\"><strong>Photo Gallery<\/strong><\/p>\n<p data-css=\"tve-u-1622104ce46\">Enjoy photos by our photographer <a href=\"https:\/\/dcmusicreview.com\/staging\/jason\/\" style=\"-webkit-user-select: none;\"><strong>Jason Herman<\/strong><\/a> of <a href=\"http:\/\/www.facebook.com\/JasonHermanPhotography\" style=\"-webkit-user-select: none;\">Jason Herman Photography<\/a>.<\/p>\nngg_shortcode_0_placeholder\n<p data-css=\"tve-u-166d54ee68f\"><strong>Albums<\/strong><\/p>\n<p data-css=\"tve-u-166d54ee68f\"><strong><strong><strong><strong><strong><strong>Albums<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n<p data-css=\"tve-u-166d54ee69c\"><strong><strong><strong><strong><strong><strong><strong><strong><strong>Albums<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Christopher Porterfield (lead vocals, guitar) is the voice and power behind the chilling and brilliant musical experience, Field Report. Drawing a loyal fan base from the DMV, Porterfield welcomed the crowd with a sultry greeting, adding that he was \u201creally glad to be here,\u201d before kicking off the night with \u201cHealing Machine.\u201d&nbsp; The few who [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":34767,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[4003,9426,33,2969,48],"class_list":["post-30211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concert-reviews","tag-field-report","tag-genre-indiemusic","tag-photosbyjasonherman","tag-songbyrd-music-house-record-cafe","tag-washington-dc","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Field Report Delights at the Songbyrd Music House<\/title>\n<meta name=\"description\" content=\"Christopher Porterfield (lead vocals, guitar) is the voice and power behind the chilling and brilliant musical experience, Field Report. 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