{"id":31737,"date":"2018-03-26T11:00:52","date_gmt":"2018-03-26T15:00:52","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=31737"},"modified":"2018-10-23T17:32:11","modified_gmt":"2018-10-23T21:32:11","slug":"aqueous-brings-groove-rock-exploratory-improv-to-baltimores-8x10","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/aqueous-brings-groove-rock-exploratory-improv-to-baltimores-8x10\/","title":{"rendered":"Aqueous Brings \u201cGroove Rock,\u201d Exploratory Improv to Baltimore\u2019s 8\u00d710"},"content":{"rendered":"<p>On a cold Thursday night in Baltimore (March 22), Buffalo, NY-born jam band <strong>Aqueous<\/strong> delighted their fans in the Charm City with a relentless, high energy set filled with deep jams throughout and the band\u2019s debut of a <strong>Steely Dan<\/strong> cover that rewarded fans staying out late on a weeknight in Federal Hill. After a supporting set by the local experimental prog-rock trio <strong>Deaf Scene<\/strong>, Aqueous stretched their legs with an improv-laden set that lasted nearly two hours.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-32555\" alt=\"\" width=\"1024\" height=\"858\" title=\"Mike Gantzer of Aqueous\" data-id=\"32555\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-150x126.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-300x251.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-768x644.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-143x120.jpg 143w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-64x54.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-220x184.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-119x100.jpg 119w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-322x270.jpg 322w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-298x250.jpg 298w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-191x160.jpg 191w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-350x293.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-448x375.jpg 448w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-556x466.jpg 556w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-668x560.jpg 668w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-162622acac4\">Mike Gantzer (Guitar)<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-32555\" alt=\"\" width=\"1024\" height=\"858\" title=\"Mike Gantzer of Aqueous\" data-id=\"32555\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-150x126.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-300x251.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-768x644.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-143x120.jpg 143w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-64x54.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-220x184.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-119x100.jpg 119w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-322x270.jpg 322w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-298x250.jpg 298w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-191x160.jpg 191w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-350x293.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-448x375.jpg 448w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-556x466.jpg 556w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1426-668x560.jpg 668w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-162622acac4\">Mike Gantzer (Guitar)<\/p>\n<p>Wasting no time, the band opened with a 20+ minute jam out of their song \u201cSkyway\u201d with guitarist <strong>Mike Gantzer<\/strong> leading the way with an effects heavy funk line that brought out outstanding accompaniment on keyboards by guitarist\/keyboardist<strong> David Loss<\/strong> before transitioning into a spacier rhythmic section by Gantzer. This jam \u2013 like many Aqueous explorations \u2013 was anchored by bassist <strong>Evan McPhaden<\/strong>, holding the band together thematically through a number of sections and changes. Over the course of the set, McPhaden\u2019s ability to be the glue between the four players truly stood out. This jam descends into an almost percussive hard rock territory before returning to the structure of the song and concluding with Gantzer and Loss exchanging guitar licks in an aggressive peak.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-32554\" alt=\"\" width=\"726\" height=\"1024\" title=\"Dave Loss of Aqueous\" data-id=\"32554\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629.jpg 726w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-106x150.jpg 106w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-213x300.jpg 213w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-85x120.jpg 85w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-45x64.jpg 45w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-156x220.jpg 156w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-71x100.jpg 71w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-191x270.jpg 191w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-177x250.jpg 177w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-113x160.jpg 113w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-266x375.jpg 266w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-330x466.jpg 330w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-397x560.jpg 397w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-162622a78bc\">Dave Loss (Guitar)<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-32554\" alt=\"\" width=\"726\" height=\"1024\" title=\"Dave Loss of Aqueous\" data-id=\"32554\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629.jpg 726w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-106x150.jpg 106w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-213x300.jpg 213w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-85x120.jpg 85w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-45x64.jpg 45w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-156x220.jpg 156w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-71x100.jpg 71w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-191x270.jpg 191w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-177x250.jpg 177w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-113x160.jpg 113w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-266x375.jpg 266w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-330x466.jpg 330w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1629-397x560.jpg 397w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-162622a78bc\">Dave Loss (Guitar)<\/p>\n<p>The band seamlessly segues into \u201cThey\u2019re Calling for You,\u201d with its opening guitar lick offering a slight breather, if only for a moment, after an incredible opening jam. Here we get some foreshadowing of what\u2019s to come from the band with a jam on the Steely Dan tune \u201cFez.\u201d What follows is funky and dark with Gantzer providing screeching distortion and heavy, filtered bass from McPhaden. Aqueous manages to transition perfectly between these songs, landing in the ska-influenced \u201cMedian,\u201d an upbeat tune with outstanding guitar harmonies and incredibly fun, fast-paced lyrics in the first verse. Once it enters its jam, after a section of isolated guitar, drummer <strong>Rob Houk<\/strong> leans heavily on his snare, taking the band into a lengthy bluegrass-tinged section featuring slide guitar soloing by Gantzer and teases of<strong> Jimi Hendrix\u2019s<\/strong> \u201cThird Stone from the Sun.\u201d<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-32557\" alt=\"\" width=\"1024\" height=\"683\" title=\"Evan McPhaden of Aqueous\" data-id=\"32557\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-150x100.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-300x200.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-768x512.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-180x120.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-64x43.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-220x147.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-405x270.jpg 405w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-375x250.jpg 375w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-240x160.jpg 240w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-350x233.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-562x375.jpg 562w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-699x466.jpg 699w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-840x560.jpg 840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-162622bcc96\">Evan McPhaden (Bass)<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-32557\" alt=\"\" width=\"1024\" height=\"683\" title=\"Evan McPhaden of Aqueous\" data-id=\"32557\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-150x100.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-300x200.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-768x512.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-180x120.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-64x43.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-220x147.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-405x270.jpg 405w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-375x250.jpg 375w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-240x160.jpg 240w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-350x233.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-562x375.jpg 562w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-699x466.jpg 699w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1539-840x560.jpg 840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-162622bcc96\">Evan McPhaden (Bass)<\/p>\n<p>One final segue lands the band in \u201cDon\u2019t Do It,\u201d which provides the improvisational highlight of the set. Dropping immediately into a quiet, jazzy exploration, the band creates a psychedelic palette with heavy synth and excellent drum leads by Houk. The patience on display in this jam is what clearly set it apart in the show, with Gantzer and Loss particularly honed in with one another. Loss switches between synth and organ during the jam, allowing the band to create widely diverse sounds within this 20-minute centerpiece.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-32556\" alt=\"\" width=\"683\" height=\"1024\" title=\"Rob Houk of Aqueous\" data-id=\"32556\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559.jpg 683w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-100x150.jpg 100w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-200x300.jpg 200w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-80x120.jpg 80w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-43x64.jpg 43w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-147x220.jpg 147w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-67x100.jpg 67w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-180x270.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-167x250.jpg 167w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-107x160.jpg 107w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-250x375.jpg 250w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-311x466.jpg 311w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-374x560.jpg 374w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-1626229c5f2\">Rob Houk (Drum)<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-32556\" alt=\"\" width=\"683\" height=\"1024\" title=\"Rob Houk of Aqueous\" data-id=\"32556\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559.jpg 683w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-100x150.jpg 100w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-200x300.jpg 200w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-80x120.jpg 80w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-43x64.jpg 43w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-147x220.jpg 147w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-67x100.jpg 67w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-180x270.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-167x250.jpg 167w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-107x160.jpg 107w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-250x375.jpg 250w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-311x466.jpg 311w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1559-374x560.jpg 374w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-1626229c5f2\">Rob Houk (Drum)<\/p>\n<p>After the band takes it first brief stop between songs, Aqueous offered a familiar classic, but a debut for their live catalog, Steely Dan\u2019s \u201cReelin\u2019 in the Years.\u201d This song lends itself well to Aqueous, with Gantzer\u2019s lead vocals and pitch perfect harmonies from Loss, both vocally and on the guitar. It seemed to energize the crowd as well, as the show neared the midnight hour. Still, the band had time for one more opportunity for extended improvisation with \u201cWeight of the Word.\u201d This time Aqueous moved toward a downtempo, anthemic peak before ramping back up to bring the show to its scorching hot and ferocious conclusion.<\/p>\n<p>Aqueous tour continues with dates throughout the Northeast all through April before they hit the festival circuit this summer. If you haven\u2019t seen them before, do not miss them when they come through your town!<\/p>\n<h4 class=\"\">Tour Dates:<\/h4>\n<p>Be sure to check Aqueous&#8217;s Facebook page for upcoming <a href=\"https:\/\/www.facebook.com\/pg\/aqueousband\/events\/\" style=\"-webkit-user-select: none;\">tour dates<\/a>.<\/p>\n<p data-css=\"tve-u-165ed9f85a6\"><strong>Audio Recordings<\/strong><\/p>\n<p data-css=\"tve-u-165ed9f85a6\"><strong><strong><strong><strong>Audio Recordings<\/strong><\/strong><\/strong><\/strong><\/p>\n<p data-css=\"tve-u-165ed9f85b5\"><strong><strong><strong><strong><strong><strong><strong>Audio Recordings<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n<p data-css=\"tve-u-16262e2e1a8\"><span style=\"font-size: 1em;\">Full audio of the show is available&nbsp;<\/span><span style=\"font-size: 1em;\">on Archive.org thanks to opsopcopolis.<\/span><\/p>\n<p data-css=\"tve-u-16262dd165b\"><strong>Performance Date:<\/strong>&nbsp; 2018-03-22<\/p>\n<p data-css=\"tve-u-16262dd165a\"><strong>Courtesy Of:<\/strong><a href=\"https:\/\/archive.org\/details\/@opsopcopolis\" style=\"-webkit-user-select: none;\">opsopcopolis<\/a><\/p>\n<h4 data-css=\"tve-u-165ed9ed3b8\"><strong>Setlist<\/strong><\/h4>\n<h4 data-css=\"tve-u-165ed9ed3b8\"><strong>Setlist<\/strong><\/h4>\n<h4 data-css=\"tve-u-165ed9ed3b8\"><strong>Setlist<\/strong><\/h4>\n<p><span class=\"tve_not_editable tve_toggle\"><\/span><\/p>\n<h4 class=\"tve_editable\" data-css=\"tve-u-162540400ac\">Click here to see the setlist for Aqueous&#8217;s performance at The 8&#215;10 &nbsp;on March 22, 2018<\/h4>\n<p data-css=\"tve-u-162540400ae\"><strong><u>Performance<\/u><\/strong><\/p>\n<p data-css=\"tve-u-162540400ab\">1.Skyway &gt;<\/p>\n<p data-css=\"tve-u-162540400ab\">2. They&#8217;re Calling For Ya <span data-css=\"tve-u-16254109939\" style=\"font-size: 12px;\"><strong class=\"\"><span data-css=\"tve-u-1625410993c\" style=\"font-family: Lato, sans-serif;\">[1,2]<\/span><\/strong><\/span> &gt;<\/p>\n<p data-css=\"tve-u-162540400ab\">3. The Median <strong><span data-css=\"tve-u-1626430d533\" style=\"font-size: 12px;\">[<\/span><\/strong><span data-css=\"tve-u-1625410993e\" style=\"font-size: 12px;\"><strong class=\"\"><span data-css=\"tve-u-16254101278\"><strong class=\"\">1]<\/strong><\/span><\/strong><\/span>&gt;<\/p>\n<p data-css=\"tve-u-162540400ab\">4. Don&#8217;t Do It<\/p>\n<p data-css=\"tve-u-162540400ab\">5. Reeling In the Years (<strong>Steely Dan<\/strong> cover)&nbsp; (Debut)<\/p>\n<p data-css=\"tve-u-162540400ab\">6. Weight of The Word<\/p>\n<p data-css=\"tve-u-162540400ae\"><strong><u>Encore<\/u><\/strong><\/p>\n<p data-css=\"tve-u-162540400ab\">1. Aldehyde<\/p>\n<p data-css=\"tve-u-162540400a3\"><strong>Notes:<\/strong><\/p>\n<p data-css=\"tve-u-162540400a1\">1. Unfinished<\/p>\n<p data-css=\"tve-u-162540400a1\">2. Included tease of The Fez (Steely Dan) jam<\/p>\n<p data-css=\"tve-u-165ed9f07ca\"><strong>Photo Gallery<\/strong><\/p>\n<p data-css=\"tve-u-165ed9f07ca\"><strong>Photo Gallery<\/strong><\/p>\n<p data-css=\"tve-u-165ed9f07d8\"><strong>Photo Gallery<\/strong><\/p>\n<p data-css=\"tve-u-1625414808e\">Enjoy photos by our photographer <a href=\"https:\/\/dcmusicreview.com\/staging\/jason\/\" style=\"-webkit-user-select: none;\"><strong>Jason Herman<\/strong><\/a> of <a href=\"http:\/\/www.facebook.com\/JasonHermanPhotography\" style=\"-webkit-user-select: none;\">Jason Herman Photography<\/a>.<\/p>\nngg_shortcode_0_placeholder\n<p data-css=\"tve-u-166a2d71344\"><strong>Soundboard Recordings<\/strong><\/p>\n<p data-css=\"tve-u-166a2d71344\"><strong><strong><strong><strong><strong>Soundboard Recordings<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n<p data-css=\"tve-u-166a2d71353\"><strong><strong><strong><strong><strong><strong><strong><strong>Soundboards<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><a href=\"http:\/\/nugs.net\/browse\/music\/19259\/Aqueous-mp3-flac-download-3-22-2018-The-8x10-Baltimore-MD\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-62425\" alt=\"Aqueous SBD at The 8x10\" width=\"300\" height=\"166\" title=\"Aqueous SBD at The 8x10\" data-id=\"62425\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-300x166.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-300x166.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-150x83.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-768x424.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-1024x565.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-218x120.jpg 218w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-64x35.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-220x121.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-181x100.jpg 181w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-489x270.jpg 489w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-400x221.jpg 400w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-290x160.jpg 290w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-350x193.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-680x375.jpg 680w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-845x466.jpg 845w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01-1015x560.jpg 1015w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/10\/aqueous180322_01.jpg 1160w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/span><\/p>\n<p data-css=\"tve-u-166a2d7135a\" style=\"text-align: center;\"><a href=\"http:\/\/nugs.net\/browse\/music\/19259\/Aqueous-mp3-flac-download-3-22-2018-The-8x10-Baltimore-MD\" target=\"_blank\">Link to (Nugs.net)&nbsp;<\/a><\/p>\n<p data-css=\"tve-u-166a2d7135b\" style=\"text-align: center;\"><a href=\"http:\/\/nugs.net\/browse\/music\/19259\/Aqueous-mp3-flac-download-3-22-2018-The-8x10-Baltimore-MD\" target=\"_blank\">Soundboard Recording<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On a cold Thursday night in Baltimore (March 22), Buffalo, NY-born jam band Aqueous delighted their fans in the Charm City with a relentless, high energy set filled with deep jams throughout and the band\u2019s debut of a Steely Dan cover that rewarded fans staying out late on a weeknight in Federal Hill. After a [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":32338,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[3977,11,9427,10,33,12],"class_list":["post-31737","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concert-reviews","tag-aqueous","tag-baltimore","tag-genre-jamband","tag-maryland","tag-photosbyjasonherman","tag-the-8x10","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aqueous Brings \u201cGroove Rock,\u201d Exploratory Improv to Baltimore\u2019s 8\u00d710<\/title>\n<meta name=\"description\" content=\"On a cold Thursday night in Baltimore (March 22), Buffalo, NY-born jam band Aqueous delighted their fans in the Charm City with a relentless, high energy\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dcmusicreview.com\/staging\/aqueous-brings-groove-rock-exploratory-improv-to-baltimores-8x10\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aqueous Brings \u201cGroove Rock,\u201d Exploratory Improv to Baltimore\u2019s 8\u00d710\" \/>\n<meta property=\"og:description\" content=\"On a cold Thursday night in Baltimore (March 22), Buffalo, NY-born jam band Aqueous delighted their fans in the Charm City with a relentless, high energy\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dcmusicreview.com\/staging\/aqueous-brings-groove-rock-exploratory-improv-to-baltimores-8x10\/\" \/>\n<meta property=\"og:site_name\" content=\"DC Music Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/DCMusicReview\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-26T15:00:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-10-23T21:32:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1817-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Seth Gordon-Lipkin\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Seth Gordon-Lipkin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/dcmusicreview.com\/staging\/aqueous-brings-groove-rock-exploratory-improv-to-baltimores-8x10\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/dcmusicreview.com\/staging\/aqueous-brings-groove-rock-exploratory-improv-to-baltimores-8x10\/\"},\"author\":{\"name\":\"Seth Gordon-Lipkin\",\"@id\":\"https:\/\/dcmusicreview.com\/staging\/#\/schema\/person\/78c5bc03fa0233956c37c75f587dbf74\"},\"headline\":\"Aqueous Brings \u201cGroove Rock,\u201d Exploratory Improv to Baltimore\u2019s 8\u00d710\",\"datePublished\":\"2018-03-26T15:00:52+00:00\",\"dateModified\":\"2018-10-23T21:32:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/dcmusicreview.com\/staging\/aqueous-brings-groove-rock-exploratory-improv-to-baltimores-8x10\/\"},\"wordCount\":795,\"publisher\":{\"@id\":\"https:\/\/dcmusicreview.com\/staging\/#organization\"},\"image\":{\"@id\":\"https:\/\/dcmusicreview.com\/staging\/aqueous-brings-groove-rock-exploratory-improv-to-baltimores-8x10\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/03\/9O6A1817-2.jpg\",\"keywords\":[\"Aqueous\",\"baltimore\",\"genre - 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