{"id":40465,"date":"2018-05-15T16:00:14","date_gmt":"2018-05-15T20:00:14","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=40465"},"modified":"2018-09-29T10:52:57","modified_gmt":"2018-09-29T14:52:57","slug":"leftover-salmon-brings-a-little-light-to-the-baltimore-soundstage","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/leftover-salmon-brings-a-little-light-to-the-baltimore-soundstage\/","title":{"rendered":"Leftover Salmon Brings a Little Light To The Baltimore Soundstage"},"content":{"rendered":"<p>This past Wednesday, May 9, <strong>Leftover Salmon <\/strong>appeared at the<strong> Baltimore Soundstage<\/strong> on their <em>Something Higher<\/em> tour, asserting that even after 25 years they still have more musical magic up their sleeves.&nbsp;<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-40808\" alt=\"\" width=\"1024\" height=\"864\" title=\"Dirty Grass Players\" data-id=\"40808\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-150x127.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-300x253.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-768x648.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-142x120.jpg 142w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-64x54.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-220x186.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-119x100.jpg 119w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-320x270.jpg 320w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-296x250.jpg 296w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-190x160.jpg 190w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-350x295.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-444x375.jpg 444w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-552x466.jpg 552w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A0554-664x560.jpg 664w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-1636093f617\">Hometown heros and Baltimore-based Dirty Grass Players<\/p>\n<p><span class=\"fr-placeholder\" style=\"font-size: 14px; line-height: 28px; margin-top: 0px; padding-top: 0px; padding-left: 0px; margin-left: 0px; padding-right: 0px; margin-right: 0px; text-align: start;\"><\/span><\/p>\n<p>Opening for the Jamgrass legends, <strong>The Dirty Grass Players&nbsp;<\/strong> took the stage first, and just seconds later, the foot-stomping began. These guys know bluegrass, and I highly recommend checking them out if the opportunity arises. The up and coming Baltimore based band has been steadily gaining more exposure over the last couple of years, and it is indeed well deserved. Performing traditional bluegrass favorites, originals and even covers of <strong>Ween&#8217;s<\/strong> &#8220;Roses are Free&#8221; and Pink Floyds &#8220;Time,&#8221; the audience couldn&#8217;t deny the energy and fun this band brought to the stage. At the end of the set, Leftover Salmons banjo player Andy Thorn joined them on stage for an improvisational jam that was on fire with dueling banjos. Thorn remained on stage for the last song, in which the band showed off their harmonizing skills with the children&#8217;s classic &#8220;John Jacob Jingleheimerschmidt.&#8221;&nbsp;<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-40809\" alt=\"\" width=\"1024\" height=\"683\" title=\"Vince Herman of Leftover Salmon\" data-id=\"40809\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-150x100.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-300x200.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-768x512.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-180x120.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-64x43.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-220x147.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-405x270.jpg 405w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-375x250.jpg 375w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-240x160.jpg 240w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-350x233.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-562x375.jpg 562w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-699x466.jpg 699w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-20dcmusic-840x560.jpg 840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\">Vince Herman<\/p>\n<p>Leftover Salmon has been touring on and off since 1989. This particular tour, appropriately titled &#8220;Something Higher,&#8221; revealed how tight and eclectic this collaboration of musicians truly is. Led by <strong>Vince Herman <\/strong>on vocals and guitar, the set soared from start to finish, showcasing some of the finest solos I&#8217;ve had the pleasure of hearing by each member of this extraordinary group. The set started out with classic &#8220;Steam Powered Aeroplane&#8221; which rallied the crowd immediately with the upbeat picking of<strong> Andy Thorn <\/strong>on the banjo, and the first of many sizzling keyboard solos by the bands newest member <strong>Erik Deutsch<\/strong>. Next up, <strong>Drew Emmitt<\/strong> demonstrated his picking skills on the Mandolin with the Zydeco sounding tune &#8220;Liza&#8221;, followed by &#8220;Gold Hill Line&#8221; which had a more traditional bluegrass feel.&nbsp;<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-40810\" alt=\"\" width=\"1024\" height=\"683\" title=\"Andy Thorn of Leftover Salmon\" data-id=\"40810\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-150x100.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-300x200.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-768x512.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-180x120.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-64x43.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-220x147.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-405x270.jpg 405w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-375x250.jpg 375w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-240x160.jpg 240w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-350x233.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-562x375.jpg 562w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-699x466.jpg 699w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/leftover05092018-11dcmusic-840x560.jpg 840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\">Andy Thorn<\/p>\n<p>As the music progressed, the spectators were introduced to some new songs off of the <em>Something Higher<\/em> album which was released just this month. Holding true to their bluegrass roots, the songs started out very traditionally styled and transcended into some powerfully psychedelic jams. About three quarters of the way through the set, <strong>Greg Garrison <\/strong>layed down the bassline to the Beatles classic &#8220;Come Together&#8221; which sweltered into an all-out instrumental extravaganza of funky guitar licks and keyboard solos before progressing into an amazing drum solo by <strong>Alwyn Robinson<\/strong> that continued to ascend all the way up into &#8220;space&#8221;. Very reminiscent of the<strong> Grateful Dead<\/strong>, there were a lot of fun sounds and noises flowing through and eventually the entire band reconvened on stage and led out of space with an unparalleled banjo solo by Thorn which turned the entire dance floor into an old-time ho-down.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-40813\" alt=\"\" width=\"1024\" height=\"851\" title=\"Drew Emmitt\" data-id=\"40813\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-150x125.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-300x249.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-768x638.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-144x120.jpg 144w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-64x53.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-220x183.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-120x100.jpg 120w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-325x270.jpg 325w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-301x250.jpg 301w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-193x160.jpg 193w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-350x291.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-451x375.jpg 451w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-561x466.jpg 561w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1717-674x560.jpg 674w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\">Drew Emmitt<\/p>\n<p>Afterwards, they mellowed it out a bit with a softer new tune, &#8220;Southern Belle,&#8221; but instantly picked the pace back up and ended the long set with one hell of a bang as Deutsch pounded his keyboard like Jerry Lee Lewis. This ditty ended the extended set and the band filed off the stage only to return moments later.<\/p>\n<p>Vince Herman was the first to come back on and started the encore with a very impressive guitar solo that led into &#8220;Let In A Little Light&#8221;, my personal favorite off the new album with it&#8217;s gospel-like chorus and unforgettable message. The onlookers danced and chanted along with the tune but the standout moment came as Deutsch began playing a hefty solo on the melodica just reassuring that Leftover Salmon definitely has plans for &#8220;Something Higher&#8221; in their future.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-40812\" alt=\"\" width=\"799\" height=\"1024\" title=\"Fans having fun at Leftover Salmon\" data-id=\"40812\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962.jpg 799w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-117x150.jpg 117w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-234x300.jpg 234w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-768x984.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-94x120.jpg 94w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-50x64.jpg 50w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-172x220.jpg 172w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-78x100.jpg 78w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-211x270.jpg 211w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-195x250.jpg 195w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-125x160.jpg 125w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-293x375.jpg 293w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-364x466.jpg 364w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A1962-437x560.jpg 437w\" sizes=\"auto, (max-width: 799px) 100vw, 799px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\">Fans were having the time of their lives.<\/p>\n<p>Throughout the entire set one could hear influences of blues, southern rock, bluegrass and zydeco all tying together with psychedelic jams that blew us away as spectators. What we heard was the reinvention of &#8220;jamgrass,&#8221; and there is no doubt in my mind that Leftover Salmon will continue to ascend.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-40814\" alt=\"\" width=\"1024\" height=\"704\" title=\"Vince Herman salutes the crowd\" data-id=\"40814\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-150x103.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-300x206.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-768x528.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-175x120.jpg 175w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-64x44.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-220x151.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-145x100.jpg 145w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-393x270.jpg 393w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-364x250.jpg 364w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-233x160.jpg 233w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-350x241.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-545x375.jpg 545w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-678x466.jpg 678w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2194-815x560.jpg 815w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" style=\"text-align: center;\"><strong>Leftover Salmon salutes the crowd<\/strong><\/p>\n<h4 data-css=\"tve-u-165ed7a8d2a\"><strong>Setlist<\/strong><\/h4>\n<h4 data-css=\"tve-u-165ed7a8d2a\"><strong>Setlist<\/strong><\/h4>\n<h4 data-css=\"tve-u-165ed7a8d2a\"><strong>Setlist<\/strong><\/h4>\n<p><span class=\"tve_not_editable tve_toggle\"><\/span><\/p>\n<h4 class=\"tve_editable\" data-css=\"tve-u-16360a89544\">Click here to see the setlist for Leftover Salmon&#8217;s &nbsp;performance at The Baltimore Soundstage on May 8, 2018.<\/h4>\n<p data-css=\"tve-u-16360a89543\"><strong><u>Main Performance<\/u><\/strong><\/p>\n<p data-css=\"tve-u-16360a89542\">1. Stam Powered Aero Plane<\/p>\n<p data-css=\"tve-u-16360a89542\">2. Liza<\/p>\n<p data-css=\"tve-u-16360a89542\">3. Gold Hill Line<\/p>\n<p data-css=\"tve-u-16360a89542\">4. Tu N&#8217;as Pas Aller<\/p>\n<p data-css=\"tve-u-16360a89542\">5. Colorado Mountain Evermore<\/p>\n<p data-css=\"tve-u-16360a89542\">6. Gulf of Mexico<\/p>\n<p data-css=\"tve-u-16360a89542\">7. Show Me Something Higher<strong> [1]<\/strong><\/p>\n<p data-css=\"tve-u-16360a89542\">8. Bird Call<\/p>\n<p data-css=\"tve-u-16360a89542\">9. Southern Belle <strong> [1]<\/strong><\/p>\n<p data-css=\"tve-u-16360a89542\">10. Analog&nbsp;<strong> [1]<\/strong><\/p>\n<p data-css=\"tve-u-16360a89542\">10. Unpromised Land<\/p>\n<p data-css=\"tve-u-16360a89542\">12. Light Behind The Rain<\/p>\n<p data-css=\"tve-u-16360a89542\">13. Rag Mama Rag<\/p>\n<p data-css=\"tve-u-16360a89543\"><strong><u>Encore<\/u><\/strong><\/p>\n<p data-css=\"tve-u-16360a89542\">1.Let In A Little Light&nbsp;<strong> [1]<\/strong><\/p>\n<p data-css=\"tve-u-16360a89542\">2. Lawyers, Guns and Money<\/p>\n<p data-css=\"tve-u-16360a89542\">\u200b<\/p>\n<p><span class=\"tve_image_frame\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-40820\" alt=\"\" width=\"801\" height=\"1024\" title=\"Leftover Salmon's Setlist\" data-id=\"40820\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2.jpg\" scale=\"0\" style=\"-webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2.jpg 801w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-117x150.jpg 117w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-235x300.jpg 235w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-768x982.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-94x120.jpg 94w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-50x64.jpg 50w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-172x220.jpg 172w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-78x100.jpg 78w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-211x270.jpg 211w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-196x250.jpg 196w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-125x160.jpg 125w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-293x375.jpg 293w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-365x466.jpg 365w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/05\/9O6A2206-2-438x560.jpg 438w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/span><\/p>\n<p data-css=\"tve-u-16360b3fa33\"><strong>Notes: <\/strong>&nbsp;[1] New Song from <em>Something Higher<\/em><\/p>\n<p data-css=\"tve-u-165ed7be0eb\"><strong>Photo Gallery<\/strong><\/p>\n<p data-css=\"tve-u-165ed7be0eb\"><strong>Photo Gallery<\/strong><\/p>\n<p data-css=\"tve-u-165ed7be0f9\"><strong>Photo Gallery<\/strong><\/p>\n<p data-css=\"tve-u-163607f5af6\">Enjoy photos by our photographer <a href=\"https:\/\/dcmusicreview.com\/staging\/chris-gamber\/\" style=\"-webkit-user-select: none;\">Chris Gamber<\/a> of <a href=\"https:\/\/www.facebook.com\/ChrisGamberPhotography\/\" style=\"-webkit-user-select: none;\">Chris Gamber Photography<\/a> and<a href=\"https:\/\/dcmusicreview.com\/staging\/jason\/\" style=\"-webkit-user-select: none;\"> Jason Herman<\/a> of <a href=\"http:\/\/www.facebook.com\/JasonHermanPhotography\" style=\"-webkit-user-select: none;\">Jason Herman Photography<\/a>.<\/p>\n<h5 class=\"\">Dirty Grass Players<\/h5>\nngg_shortcode_0_placeholder\n<h5 class=\"\">Leftover Salmon<\/h5>\nngg_shortcode_1_placeholder\n<p data-css=\"tve-u-16625d1081c\"><strong>Associated Albums<\/strong><\/p>\n<p data-css=\"tve-u-16625d1081c\"><strong><strong><strong><strong><strong><strong>Associated Albums<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n<p data-css=\"tve-u-16625d10829\"><strong><strong><strong><strong><strong><strong><strong><strong><strong>Associated Albums<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-58490\" alt=\"2NQdUqk\" width=\"300\" height=\"166\" title=\"Leftover Salmon Baltimore Soundstage Nugs\" data-id=\"58490\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-300x166.jpg\" scale=\"0\" style=\"width: 100%; -webkit-user-select: none;\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-300x166.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-150x83.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-768x424.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-1024x565.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-218x120.jpg 218w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-64x35.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-220x121.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-181x100.jpg 181w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-489x270.jpg 489w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-400x221.jpg 400w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-290x160.jpg 290w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-350x193.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-680x375.jpg 680w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-845x466.jpg 845w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03-1015x560.jpg 1015w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/09\/los180509_03.jpg 1160w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p data-css=\"tve-u-16625d1082f\" style=\"text-align: center;\"><a href=\"http:\/\/nugs.net\/browse\/music\/19524\/Leftover-Salmon-mp3-flac-download-5-9-2018-Baltimore-Soundstage-Baltimore-MD\">Link to (Nugs.net)&nbsp;<\/a><\/p>\n<p data-css=\"tve-u-16625d10830\" style=\"text-align: center;\"><a href=\"http:\/\/nugs.net\/browse\/music\/19524\/Leftover-Salmon-mp3-flac-download-5-9-2018-Baltimore-Soundstage-Baltimore-MD\">Soundboard Recording<\/a><\/p>\n<h3 data-css=\"tve-u-16625d0b322\"><strong>Additional Resources<\/strong><\/h3>\n<h3 data-css=\"tve-u-16625d0b322\"><strong>Additional Resources<\/strong><\/h3>\n<h3 data-css=\"tve-u-16625d0b322\"><strong>Additional<\/strong><\/h3>\n<h3 data-css=\"tve-u-16625d0b322\"><strong>Resources<\/strong><\/h3>\n<p>For more coverage on Leftover Salmon please make sure to visit our <a href=\"https:\/\/dcmusicreview.com\/staging\/leftover-salmon\/\" style=\"-webkit-user-select: none;\" target=\"_blank\">Leftover Salmon Artist Spotlight page<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This past Wednesday, May 9, Leftover Salmon appeared at the Baltimore Soundstage on their Something Higher tour, asserting that even after 25 years they still have more musical magic up their sleeves.&nbsp; Hometown heros and Baltimore-based Dirty Grass Players Opening for the Jamgrass legends, The Dirty Grass Players&nbsp; took the stage first, and just seconds [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":40807,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[11,114,2360,571,141,10,140,33],"class_list":["post-40465","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concert-reviews","tag-baltimore","tag-baltimore-soundstage","tag-dirty-grass-players","tag-genre-bluegrass","tag-leftover-salmon","tag-maryland","tag-photosbychrisgamber","tag-photosbyjasonherman","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Leftover Salmon Brings a Little Light To The Baltimore Soundstage<\/title>\n<meta name=\"description\" content=\"This past Wednesday, May 9, Leftover Salmon appeared at the Baltimore Soundstage on their Something Higher 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