{"id":46906,"date":"2018-07-06T10:00:08","date_gmt":"2018-07-06T14:00:08","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=46906"},"modified":"2018-07-07T00:16:51","modified_gmt":"2018-07-07T04:16:51","slug":"peter-frampton-the-steve-miller-band-flashback-to-the-1970s-the-boys-still-got-it","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/peter-frampton-the-steve-miller-band-flashback-to-the-1970s-the-boys-still-got-it\/","title":{"rendered":"Peter Frampton &#038; The Steve Miller Band \u2013 Flashback to the 1970\u2019s: The Boys Still Got It"},"content":{"rendered":"<p>A crowd of thousands gathered to hear the 1970\u2019s flashback stylings of&nbsp;<strong>Peter Frampton&nbsp;<\/strong>and&nbsp;<strong>t<\/strong><strong>he Steve Miller Band<\/strong>&nbsp;who rocked and rolled through&nbsp;<strong>MECU Pavilion<\/strong> in Baltimore on June 24.&nbsp;<\/p>\n<p>Fans gathered beneath the pavilion as dark rainstorm clouds moved overhead, threatening the evening\u2019s performance and pushing the music back by a half an hour. Despite this, the crowd felt laid-back and light, almost like a reunion as gusts of summer storm winds blustered through the pavilion. The crowd stuck together with a feeling a familiarity.<\/p>\n<p>By 7:30 p.m., the clouds cleared and the sun peaked through the gray sky that hung over the harbor. As Frampton walked on stage and played his first welcoming notes, a rainbow formed overhead, perhaps signifying the magical reunion of two strong musical acts and their fans.<\/p>\n<p>Those fans yelled and stood to welcome Frampton as he played his first song, a mellow tune, reminding fans young and old of what great rock and roll sounds like.&nbsp;<\/p>\n<p>His band was comprised of a keyboard, a switch between an acoustic and electric guitar, an electric bass, drums and of course, electric guitar played by Frampton. Frampton played his cool guitar stylings and diddled with a cool soulful intro into his third song, a slow soulful ballad, \u201cLines on my Face,\u201d with sweet guitar melodies that showcased Frampton\u2019s voice\u2014which has aged well\u2014and his guitar playing that has only seasoned to perfection.<\/p>\n<p>Frampton lead the band and the audience into his hit \u201cShow Me the Way,\u201d and as soon as he strummed the first intro notes to the song, the whole crowd rushed to stand and yell, just as if it were 1971. The crowd sang along and yelled when Frampton brought back the \u201ctalk box,\u201d for which he is so well known and loved.&nbsp;<\/p>\n<p>When the song ended, the crowd took their seats and and gazed at Frampton adoringly as he spoke about his new album, \u201cFingerprints,\u201d with recordings from the Rolling Stones, Pearl Jam and Warren Haynes. He spoke of his two grammy nominees for instrumental album of the year before breaking into an epic, rock heavy rendition of Soundgarden\u2019s \u201cBlack Hole Sun,\u201d which he dedicated to his wife and two children. The song was a head rocker\u2014to say the least\u2014and filled with \u201cwahs\u201d and a deep soulful hollow sound. Frampton sang on the talk box for that one too that had the crowd cheering, smiling and throwing their arms high in the air.&nbsp;<\/p>\n<p>Next, Frampton rocked out heavy to&nbsp;\u201cI\u2019ll Give You Money,\u201d&nbsp;where it was evident to new fans that Frampton gets pleasure from making his guitar sing. He tore into an epic guitar face-off with his supporting guitarist which was a demonstration of the absolutely sexy talent Frampton has as he lead the audience into a wonderfully windy world of jam. While some audience members were amped on the amazingly intense sound before them, others were non-reactive as they stood in absolute awe of the spectacle in front of them.&nbsp;<\/p>\n<p>&nbsp;Despite such a large crowd, Frampton and his band made the audience feel united like a small group of friends. His set felt like an inside look at a private rehearsal as Frampton was very warm, laid back and personable.<\/p>\n<p>&nbsp;As the sun grew closer to setting, a pink, orange and purple sky painted the backdrop for the venue. Frampton shared the writing of one of his songs while in the Bahamas just before he broke into \u201cBaby I Love Your Way.\u201d Every member of the audience stood and sang word for word and swayed to the melodic island sounds\u2014it was as if the entire crowd was just transported to the very moment he wrote the song. When he sang the lyrics, \u201cI can see the sunset in your eyes,\u201d the sun set over the Baltimore Harbor. It was a truly magical moment and the crowd could feel it.&nbsp;<\/p>\n<p>After, Frampton pulled out a guitar that he claimed had been missing for 30 years until recently. He got the crowd really rilled up when he said, \u201cIt ain\u2019t pretty, but it plays good.\u201d He proceeded to play the guitar with a real jazzy intro of \u201cDo You Feel Like I Do.\u201d The whole crowd stood to enjoy a really gnarly keyboard solo. Frampton teased the audience with an epic talk box solo where he really tripped out the crowd as an indigo spotlight shone on him and he said things like, \u201cYou make me feel good, you really do,\u201d and it made the audience question where the hell they had just been transported. It was a really great way to end the set.&nbsp;<\/p>\n<p>&nbsp;Steve Miller Band\u2019s stage was absolutely far out with an outer space feel. An image of Earth in space with debris flying at it set the stage backdrop. The backdrop even lit up with multicolored lights. On top of that, the stage was laid out like a scene from star trek with a very spacey dashboard keyboard setup.<\/p>\n<p>&nbsp;The Steve Miller Band flew right on stage and took the audience for a ride, from hit to hit, as the band glided right into \u201cAbracadabra,\u201d with an updated 1980\u2019s sound and fun laser sounds that had the audience standing and dancing.<\/p>\n<p>&nbsp;<strong>Steve Miller<\/strong>&nbsp;pulled out the harmonica for the real bluesy fast track, \u201cLiving in the U.S.A.\u201d that included a lot of scatting and a strong guitar before the band lead into an updated rendition of \u201cThe Joker.\u201d The crowd quickly stood for \u201cTake the Money and Run,\u201d and the crowd greatly appreciated when the keyboardist banged and jammed heavy on the keys for his solo.&nbsp;<\/p>\n<p>Frampton and Miller joined the stage together to play an amplified blues song which the crowd enjoyed from their seats.&nbsp;<\/p>\n<p>After Steve Miller band got the whole crowd clapping along to&nbsp;\u201cDance, Dance, Dance,\u201d&nbsp;that also included a giant keyboard mash up. The band played a song from the album&nbsp;\u201cLiving in the 20th Century,\u201d&nbsp;called&nbsp;\u201cI Want to Make the World Turn Around,\u201d&nbsp;with a real spacey intro with hard rock covers and layers and echoy tones that were absolutely triptastic. The jams felt absolutely eternal and in universal alignment and it felt as if something much deeper were happening. A moment of pure clarity came over the crowd before taking them back into an absolutely unbelievable jam. The moment was very magical, especially as Venus, the star planet, shone bright in the sky above, peaking through the pavilion.<\/p>\n<p>&nbsp;<\/p>\n<p>The audience slid into more hits as the band played a real desert native and dreamy favorite, \u201cWild Mountain Honey,\u201d that was played with a guitar pedal that sounded like a sitar. It was like a flashback to the 1970\u2019s. Next, Miller pulled out a beautiful glittery blue guitar thats seemed to match his personality for \u201cSpace Cowboy.\u201d Then came \u201cRockin\u2019 Me Baby,\u201d and \u201cFly Like an Eagle,\u201d which the whole crowd must have waited the whole night for as they stood and sang word for word. The set closed with a really fun \u201cJungle Love,\u201d and the set ender was \u201cJet Airliner,\u201d the perfect closer to a true 1970\u2019s flashback.<\/p>\n<p>&nbsp;The Steve Miller Band flew right on stage and took the audience for a ride, from hit to hit, as the band glided right into \u201cAbracadabra,\u201d with an updated 1980\u2019s sound and fun laser sounds that had the audience standing and dancing.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-46908\" style=\"width: 100%; -webkit-user-select: none;\" title=\"Peter Frampton\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic.jpg\" alt=\"\" width=\"683\" height=\"1024\" data-id=\"46908\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic.jpg 683w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-100x150.jpg 100w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-200x300.jpg 200w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-80x120.jpg 80w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-43x64.jpg 43w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-147x220.jpg 147w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-67x100.jpg 67w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-180x270.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-167x250.jpg 167w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-107x160.jpg 107w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-250x375.jpg 250w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-311x466.jpg 311w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-374x560.jpg 374w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/span><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-46909\" style=\"width: 100%; -webkit-user-select: none;\" title=\"Steve Miller\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic.jpg\" alt=\"\" width=\"683\" height=\"1024\" data-id=\"46909\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic.jpg 683w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-100x150.jpg 100w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-200x300.jpg 200w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-80x120.jpg 80w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-43x64.jpg 43w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-147x220.jpg 147w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-67x100.jpg 67w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-180x270.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-167x250.jpg 167w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-107x160.jpg 107w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-250x375.jpg 250w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-311x466.jpg 311w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-374x560.jpg 374w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/span><\/p>\n<p>Frampton and Miller joined the stage together to play an amplified blues song which the crowd enjoyed from their seats.&nbsp;<\/p>\n<p>After Steve Miller band got the whole crowd clapping along to&nbsp;\u201cDance, Dance, Dance,\u201d&nbsp;that also included a giant keyboard mash up. The band played a song from the album&nbsp;\u201cLiving in the 20th Century,\u201d&nbsp;called&nbsp;\u201cI Want to Make the World Turn Around,\u201d&nbsp;with a real spacey intro with hard rock covers and layers and echoy tones that were absolutely triptastic. The jams felt absolutely eternal and in universal alignment and it felt as if something much deeper were happening. A moment of pure clarity came over the crowd before taking them back into an absolutely unbelievable jam. The moment was very magical, especially as Venus, the star planet, shone bright in the sky above, peaking through the pavilion.<\/p>\n<p>&nbsp;<\/p>\n<p>The audience slid into more hits as the band played a real desert native and dreamy favorite, \u201cWild Mountain Honey,\u201d that was played with a guitar pedal that sounded like a sitar. It was like a flashback to the 1970\u2019s. Next, Miller pulled out a beautiful glittery blue guitar thats seemed to match his personality for \u201cSpace Cowboy.\u201d Then came \u201cRockin\u2019 Me Baby,\u201d and \u201cFly Like an Eagle,\u201d which the whole crowd must have waited the whole night for as they stood and sang word for word. The set closed with a really fun \u201cJungle Love,\u201d and the set ender was \u201cJet Airliner,\u201d the perfect closer to a true 1970\u2019s flashback.<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image tve_evt_manager_listen tve_et_click wp-image-46912\" style=\"width: 100%; -webkit-user-select: none; -webkit-touch-callout: none;\" title=\"Peter Frampton\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic.jpg\" alt=\"\" width=\"1024\" height=\"683\" data-id=\"46912\" data-tcb-events=\"__TCB_EVENT_[{&quot;t&quot;:&quot;click&quot;,&quot;a&quot;:&quot;thrive_zoom&quot;,&quot;c&quot;:{&quot;id&quot;:&quot;46908&quot;,&quot;size&quot;:&quot;full&quot;}}]_TNEVE_BCT__\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-150x100.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-300x200.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-768x512.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-180x120.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-64x43.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-220x147.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-405x270.jpg 405w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-375x250.jpg 375w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-240x160.jpg 240w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-350x233.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-562x375.jpg 562w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-699x466.jpg 699w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-1dcmusic-840x560.jpg 840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p>Peter Frampton<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-46909 tve_evt_manager_listen tve_et_click\" style=\"width: 100%; -webkit-user-select: none; -webkit-touch-callout: none;\" title=\"Steve Miller\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic.jpg\" alt=\"Steve Miller\" width=\"683\" height=\"1024\" data-id=\"46909\" data-tcb-events=\"__TCB_EVENT_[{&quot;t&quot;:&quot;click&quot;,&quot;a&quot;:&quot;thrive_zoom&quot;,&quot;c&quot;:{&quot;id&quot;:&quot;46909&quot;,&quot;size&quot;:&quot;full&quot;}}]_TNEVE_BCT__\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic.jpg 683w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-100x150.jpg 100w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-200x300.jpg 200w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-80x120.jpg 80w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-43x64.jpg 43w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-147x220.jpg 147w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-67x100.jpg 67w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-180x270.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-167x250.jpg 167w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-107x160.jpg 107w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-250x375.jpg 250w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-311x466.jpg 311w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-12dcmusic-374x560.jpg 374w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/span><\/p>\n<p class=\"wp-caption-text thrv-inline-text\" data-css=\"tve-u-1643f381ed3\">Steve Miller<\/p>\n<p><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image wp-image-46908\" style=\"width: 100%; -webkit-user-select: none;\" title=\"Peter Frampton\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" data-id=\"46908\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-200x300.jpg 200w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-100x150.jpg 100w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-80x120.jpg 80w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-43x64.jpg 43w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-147x220.jpg 147w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-67x100.jpg 67w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-180x270.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-167x250.jpg 167w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-107x160.jpg 107w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-250x375.jpg 250w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-311x466.jpg 311w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic-374x560.jpg 374w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-8dcmusic.jpg 683w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/span><span class=\"tve_image_frame\" style=\"width: 100%;\"><img decoding=\"async\" loading=\"lazy\" class=\"tve_image tve_evt_manager_listen tve_et_click wp-image-46913\" style=\"width: 100%; -webkit-user-select: none; -webkit-touch-callout: none;\" title=\"Steve Miller Band\" src=\"\/\/www.dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic.jpg\" alt=\"Steve Miller Band\" width=\"1024\" height=\"683\" data-id=\"46913\" data-tcb-events=\"__TCB_EVENT_[{&quot;t&quot;:&quot;click&quot;,&quot;a&quot;:&quot;thrive_zoom&quot;,&quot;c&quot;:{&quot;id&quot;:&quot;46909&quot;,&quot;size&quot;:&quot;full&quot;}}]_TNEVE_BCT__\" srcset=\"https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic.jpg 1024w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-150x100.jpg 150w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-300x200.jpg 300w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-768x512.jpg 768w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-180x120.jpg 180w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-64x43.jpg 64w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-220x147.jpg 220w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-405x270.jpg 405w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-375x250.jpg 375w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-240x160.jpg 240w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-350x233.jpg 350w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-562x375.jpg 562w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-699x466.jpg 699w, https:\/\/dcmusicreview.com\/staging\/wp-content\/uploads\/2018\/06\/Peterframptonstevemiller06242018-14dcmusic-840x560.jpg 840w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p>Steve Miller Band<\/p>\n<p data-css=\"tve-u-1643f33fe92\">Enjoy photos by our photographer <a style=\"-webkit-user-select: none; -webkit-touch-callout: none;\" href=\"https:\/\/dcmusicreview.com\/staging\/chris-gamber\/\">Chris Gamber<\/a> of <a style=\"-webkit-user-select: none; -webkit-touch-callout: none;\" href=\"https:\/\/www.facebook.com\/ChrisGamberPhotography\/\">Chris Gamber Photography<\/a>.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>A crowd of thousands gathered to hear the 1970\u2019s flashback stylings of&nbsp;Peter Frampton&nbsp;and&nbsp;the Steve Miller Band&nbsp;who rocked and rolled through&nbsp;MECU Pavilion in Baltimore on June 24.&nbsp; Fans gathered beneath the pavilion as dark rainstorm clouds moved overhead, threatening the evening\u2019s performance and pushing the music back by a half an hour. Despite this, the crowd [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":46923,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[11,10,7904,8122,140,8123],"class_list":["post-46906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concert-reviews","tag-baltimore","tag-maryland","tag-mecu-pavilion","tag-peter-frampton","tag-photosbychrisgamber","tag-steve-miller-band","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Peter Frampton &amp; The Steve Miller Band \u2013 Flashback to the 1970\u2019s: The Boys Still Got It<\/title>\n<meta name=\"description\" content=\"A crowd of thousands gathered to hear the 1970\u2019s flashback stylings of&nbsp;Peter Frampton&nbsp;and&nbsp;the Steve Miller Band&nbsp;who rocked and rolled\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dcmusicreview.com\/staging\/peter-frampton-the-steve-miller-band-flashback-to-the-1970s-the-boys-still-got-it\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peter Frampton &amp; 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