{"id":66794,"date":"2018-12-18T10:38:46","date_gmt":"2018-12-18T15:38:46","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=66794"},"modified":"2018-12-24T09:48:49","modified_gmt":"2018-12-24T14:48:49","slug":"kimbra-brings-love-and-conviction-to-dcs-sixth-i","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/kimbra-brings-love-and-conviction-to-dcs-sixth-i\/","title":{"rendered":"Kimbra Brings Love and Conviction to DC\u2019s Sixth & I"},"content":{"rendered":"

Kimbra <\/strong><\/a>is love and conviction. That was the takeaway from this momentous, heartfelt show.<\/p>\n

I, like many, first heard of her Kimbra <\/strong>in 2012 when she was featured in Gotye\u2019s <\/strong>hit song \u201cSomebody That I Used To Know for which she won two Grammy awards. Since her 2011 release of Vows<\/em>, she has put out two other albums The Golden Echo<\/em> (2014) and this year\u2019s Primal Heart<\/em>. This was my first time seeing this New Zealand artist live, and judging by the ardor of her fan-base walking into Sixth & I<\/a>, I was in for a night of something special. <\/p>\n

\"Kimbra<\/span>\"Kimbra<\/span><\/p>\n

Many shows at Sixth & I, a historic synagogue in the heart of DC, can feel like a spiritual experience simply by being in that space. It was the perfect setting for this both full-bodied and bare-boned show, with the impeccable musicians Spencer Zahn<\/strong> (upright bass) and Zach Tenorio-Miller<\/strong> (keys) joining Kimbra <\/strong>on stage. The mix, the reverb, shape of the room, her ability to fill it, all allowed Kimbra\u2019s <\/strong>out of this world vocals to shimmer.<\/p>\n

Kimbra <\/strong>entered the stage in a glowing white organza-style origami dress, platform shoes, and her signature Cleopatra hair which is only important to know because her presence was visually stunning.<\/p>\n

She counted in her band and dove deeply into \u201cThe Magic Hour\u201d which was a jazzy \u201ctalk-to-me-like-I-know-you\u201d sister song. It felt having a conversation with your best friend on a stoop in the summer and was a swingy way to start off the night.<\/p>\n

Next Kimbra <\/strong>said hello to DC, acknowledged it was great to be back in this \u201csacred space\u201d and launched into \u201cPlain Gold Ring,\u201d a Nina Simone<\/strong><\/a> cover that she intuited beautifully, the bass holding her foundation and her larger than life voice perfectly humbled with an earnest homage.<\/p>\n

\"Kimbra<\/span>\"Kimbra<\/span><\/p>\n

In \u201cThe Good War,\u201d Kimbra <\/strong>continued to connect deeply with the audience and then launched into \u201cEverybody Knows\u201d which was one of the high points of the show. Here, she was so many things at once \u2013 a jazz singer, a mime, an empath \u2013 and she conveyed this song with every part of her body and voice, in syncopated movements, chord dissonance, and ghostly whispers.  <\/p>\n

She talked a bit about her next song, \u201cHi Def Distance Romance\u201d which is about the challenges of being in a long distance relationship at a time where we are so connected and yet so far removed because of technology. Then she reached what was the second high point of the night in the song, \u201cWithdraw,\u201d which was a rousing, impassioned performance that felt like she was summoning the voices of Minnie Riperton<\/strong><\/a>, Barbra Streisand<\/strong><\/a>, Ella Fitzgerald<\/strong><\/a>, and Liza Minnelli<\/strong><\/a>, bringing it all to a culmination in her confident yet connected performance. <\/p>\n

\"Kimbra<\/span><\/p>\n

Before launching into her next song, Kimbra <\/strong>spoke of death, why we congregate, which was a perfect segway to \u201cWaltz Me to the Grave.\u201d It started as expected in \u00be time then fell into a wonderfully strange, slightly Radiohead<\/strong><\/a>-esque hybrid jazz song that dissolved into something like walking into a dark unknown. It was like a sexy rendering of Kate Bush<\/strong><\/a> and Tim Burton<\/strong><\/a> dancing at the would-be wedding of Eurydice and Orpheus<\/a> (had he not turned around). No joke, that\u2019s what it felt like. Maybe add a little Laurie Anderson<\/strong><\/a> in there for good measure. <\/p>\n

\"Kimbra<\/span><\/p>\n

The next song, \u201cOld Flame,\u201d was reminiscent of an old jazz standard where Kimbra <\/strong>demonstrated total control of her powerful instrument as her vocals perfectly danced all over the room. At one point she invited the audience to sing along and support the low end while she went high, which sounded simply amazing in a congregation. She then went into \u201cBlack Sky\u201d which was more reflective, personal, and quiet, with her hands mimicking her own choral conductor or a painter looking in a mirror, painting a self-portrait.<\/p>\n

In \u201cRescue Him,\u201d Kimbra <\/strong>was all about engagement with the musicians and the audience, blocking out the lights to see people, and at one point speaking the lyrics in a style much like Alicia Keys<\/strong><\/a>, another strong woman she was perhaps honoring in her performance. The third high point of the night came during the next song \u201cPast Love\u201d where Kimbra <\/strong>weaved a story with her vocals and soulful lyrics, singing…<\/p>\n

Broken wings<\/p>\n

Bones of coal<\/p>\n

I used to live clinging to his elbows<\/p>\n

Though I try to shake the lie<\/p>\n

I like inside the sheen<\/p>\n

Of every faint glow<\/p>\n

\u200b<\/span><\/span>“Past Love” <\/span><\/strong> by Kimbra<\/strong><\/p>\n

…with gravitas and matter, which was a stellar penultimate finish to this moving night. Her final song, \u201cVersion of Me\u201d was about wanting to be a better person for the person you love and was at moment\u2019s reminiscent of Ravel\u2019s <\/strong>Bolero<\/a> in its build.<\/p>\n

\"Kimbra<\/span>\"Kimbra<\/span><\/p>\n

Naturally, the musicians were met with a standing ovation and came back for a fantastic encore with \u201cCameo Lover,\u201d which was a definite crowd pleaser. Kimbra <\/strong>ended the night on her knees, as close to the audience as she could get, with the audience singing along with her heartbeat vocals and lyrics to \u201copen up your heart,\u201d a perfect finale to an emotionally spirited night of art and love.<\/p>\n

Overall, the entire show was one highlight after another with a few extra knockout moments. Kimbra <\/strong>was all at once connected, intimate, accessible and larger than life. And as Kimbra<\/strong> gave a nod to many other legendary women artists throughout her performance, she was still signature Kimbra<\/strong>, her own person, her own message, with her very distinctive and important voice for the next generation.<\/p>\n

Setlist<\/strong><\/h4>\n

Setlist<\/strong><\/h4>\n

Setlist<\/strong><\/h4>\n

<\/span><\/p>\n

Click here to see the setlist for Kimbra’s<\/strong> performance at Sixth & I <\/strong>on December 6, 2018 <\/strong><\/h4>\n

1. The Magic Hour<\/p>\n

2. Plain Gold Ring (Nina Simone<\/strong> cover)<\/p>\n

3. The Good War<\/p>\n

4. Everybody Knows<\/p>\n

5. Hi Def Distance Romance<\/p>\n

6. Withdraw<\/p>\n

7. Waltz Me To The Grave<\/p>\n

8. Old Flame<\/p>\n

9. Black Sky<\/p>\n

10. Rescue Him<\/p>\n

11. Past Love<\/p>\n

12. Version Of Me<\/p>\n

\u200b<\/p>\n

Encore<\/strong><\/u><\/p>\n

1. Cameo Lover<\/p>\n<\/p>\n

\"Kimbra<\/span><\/p>\n

Photo Gallery<\/strong><\/p>\n

Photo Gallery<\/strong><\/p>\n

Photo Gallery<\/strong><\/p>\n

Enjoy photos by our photographer Ana Medvedeva<\/strong><\/a>. <\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

Kimbra is love and conviction. That was the takeaway from this momentous, heartfelt show. I, like many, first heard of her Kimbra in 2012 when she was featured in Gotye\u2019s hit song \u201cSomebody That I Used To Know for which she won two Grammy awards. Since her 2011 release of Vows, she has put out […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[9426,9439,12369,6368,2942,12370,48],"class_list":["post-66794","post","type-post","status-publish","format-standard","hentry","category-concert-reviews","tag-genre-indiemusic","tag-genre-popmusic","tag-kimbra","tag-photosbyanamedvedeva","tag-sixth-i","tag-sixth-i-historic-synagogue","tag-washington-dc","post-wrapper","thrv_wrapper"],"yoast_head":"\nKimbra Brings Love and Conviction to DC\u2019s Sixth & I<\/title>\n<meta name=\"description\" content=\"Kimbra is love and conviction. 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