{"id":73921,"date":"2019-02-14T13:00:05","date_gmt":"2019-02-14T18:00:05","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=73921"},"modified":"2019-02-13T20:54:44","modified_gmt":"2019-02-14T01:54:44","slug":"joe-jackson-looks-sharp-at-the-national","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/joe-jackson-looks-sharp-at-the-national\/","title":{"rendered":"Joe Jackson Looks Sharp at The National"},"content":{"rendered":"

Guest Contributor:  Bob Adamek<\/strong> is a full time photographer working for Harrisonburg City Public Schools and the Forbes Center for the Performing Arts at James Madison University. He has been writing about and shooting music since 2006 and spends his summers covering music festivals and concerts from New Orleans to New Jersey. Bob also played bass in bands for 30 years and attended the Manhattan School of Music in the mid 1980\u2019s.<\/em><\/p>\n

Joe Jackson<\/strong> greeted The National in Richmond on February 10, 2019 – the forth stop on his Four Decade T<\/em>our<\/em> that tours North America before crisscrossing Europe before returning back to North America for in the spring. <\/em><\/p>\n

The band entered slowly, first Doug Yowell t<\/strong>ook up the drum set, and then Teddy Kumpel <\/strong>slipped out and added some guitar. The lights were set to a dim red, Graham Maby<\/strong> grabbed his bass, then finally Joe Jackson took up his seat at the keyboards. The band worked through the moody number called Alchemy<\/em>, the final track on Joe Jackson\u2019s latest studio album Fool,<\/em>the 21st<\/sup>of his 40-year career. The crowd at The National<\/strong> in Richmond, VA was drawn in; the last notes slowly faded, and suddenly the show exploded. Strong white light bathed the band and beautiful stage set, and the punk rock opening track, One More Time<\/em>from Jackson\u2019s iconic first album, Look Sharp <\/em>leapt to life. The stinging, edgy guitar was a shot of adrenaline, and when the bass and drums dropped in the night was already in full swing. <\/p>\n

This was the fourth show of Joe Jackson\u2019s Four Decade Tour,<\/em> a two-hour, twenty-two song journey through a diverse career, which started in the transition from punk to new wave, then moved through pop, jazz and classical music, landing him a dedicated following. Joe played these songs with joy; happy his well-crafted tales were still finding sold out audiences that loved them like he did. His voice hasn\u2019t seemed to change very much, powerful, big and booming. The band of veteran musicians seamlessly turned on a dime to play whatever style the songs demanded. A special treat was that Graham Maby, who has been on 19 of Jackson\u2019s albums, was manning the bass chair.<\/p>\n

After “One More Time” <\/em>the band worked through another Look Sharp <\/em>song, “Is She Really Going Out With Him”, followed by 1982\u2019s “Another World” <\/em>from Night and Day<\/em>. Jackson\u2019s new album played a prominent role with four more songs including “Big Black Cloud”, “Fabulously Absolute”, “Friend Better”, and the title track “<\/em>Fool”<\/em>, in which Jackson played a crushing keyboard solo. <\/p>\n

Among the night\u2019s highlights were a couple of cover songs, The Beatles<\/strong> “Rain”, and Steely Dan\u2019s<\/strong> “King of the World.” <\/em>Jackson played an absolutely burning piano solo on “<\/em>Cancer”<\/em>, also from Night and Day<\/em>. And Teddy Kumpel played a fabulous solo on “<\/em>What You Want” <\/em>from Body and Soul<\/em>.<\/p>\n

Jackson graciously thanked the crowd, saying that at this stage of his career he takes nothing for granted, and it was a thrill to play to a sold out crowd in a city he may only have played once before. He did his best to engage with the audience and his band in a way that presented this show as special, something I\u2019m sure he puts his mind to every night. <\/p>\n

Drummer Doug Yowell was a monster behind the kit, and he also added a couple of tasty solos as did bassist Maby, who played brilliantly all night long. Everyone in the band also added background vocals, adding another level of depth.<\/p>\n

Perhaps the night\u2019s biggest highlight was the first of three encore songs. Jackson explained that he has a reputation for playing varied arrangements of his classic songs, but wanted to try to do one exactly as recorded. For this he chose “Stepping Out” from Night and Day<\/em>. He told the crowd that “Stepping Out” was a track he played all the instruments on himself in the original recording. He brought along the original drum machine, something that looked like a giant old tape recorder. They plugged it in, used the original bass loop, and had Maby play the glockenspiel while Kumpel played the second keyboard track. Yowell played the doubled snare drum track, the only thing Jackson hadn\u2019t originally played himself. It came off flawlessly.<\/p>\n

The night ended much like it had started, playing a song from Look Sharp<\/em>, “Got The Time”, then a reprise of “Alchemy”, once again under dim red lighting. It made for a nice full statement. Don\u2019t miss your chance to see this tour if it comes near you, it is a great night of a great career of music.<\/p>\n

Setlist<\/strong><\/h4>\n

Setlist<\/strong><\/h4>\n

Setlist<\/strong><\/h4>\n

 <\/p>\n

Click here to see the setlist for <Joe Jackson’s <\/strong>performance at The National <\/strong> on February 10, 2019<\/strong><\/h4>\n

1. Alchemy2. One More Time3. Is She Really Going Out With Him?4. Another World5. Big Black Cloud6. Fabulously Absolute7. Stranger Than Fiction8. Drowning9. Breaking Us in Two10. Rain (The Beatles <\/strong>cover)11. Invisible Man12. Cancer13. Friend Better14. Fool15. Sunday Papers16. King of the World (Steely Dan<\/strong> cover)17. You Can’t Get What You Want (Till You Know What You Want)18. Ode to Joy19. I’m the Man<\/p>\n

Encore<\/u><\/strong><\/p>\n

1. Steppin’ Out2. Got the Time3. Alchemy<\/p>\n

Photo Gallery<\/strong><\/p>\n

Photo Gallery<\/strong><\/p>\n

Photo Gallery<\/strong><\/p>\n

Enjoy photos by photographer Bob Adamek.<\/p>\n

Albums<\/strong><\/p>\n

Albums<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n

Albums<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n

\"Joe<\/a><\/span><\/p>\n

Click to Purchase Fool<\/em> from <\/a><\/p>\n

Joe Jackson’s Website<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Guest Contributor:  Bob Adamek is a full time photographer working for Harrisonburg City Public Schools and the Forbes Center for the Performing Arts at James Madison University. He has been writing about and shooting music since 2006 and spends his summers covering music festivals and concerts from New Orleans to New Jersey. Bob also played […]<\/p>\n","protected":false},"author":42,"featured_media":73999,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[13827,13826,181,182,63],"class_list":["post-73921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concert-reviews","tag-joe-jackson","tag-photosbybobadamek","tag-richmond","tag-the-national","tag-virginia","post-wrapper","thrv_wrapper"],"yoast_head":"\nJoe Jackson Looks Sharp at The National<\/title>\n<meta name=\"description\" content=\"Guest Contributor:  Bob Adamek is a full time photographer working for Harrisonburg City Public Schools and the Forbes Center for the Performing Arts\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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