{"id":75170,"date":"2019-02-20T10:00:11","date_gmt":"2019-02-20T15:00:11","guid":{"rendered":"https:\/\/dcmusicreview.com\/staging\/?p=75170"},"modified":"2019-02-20T11:42:36","modified_gmt":"2019-02-20T16:42:36","slug":"beirut-at-the-anthem","status":"publish","type":"post","link":"https:\/\/dcmusicreview.com\/staging\/beirut-at-the-anthem\/","title":{"rendered":"Beirut Returns to the Stage After Four Years… and It Was Worth the Wait"},"content":{"rendered":"

Listening to Beirut feels like falling in love. They\u2019re bold and multi-dimensional, inspiring a desire to travel and roam the streets of foreign cities, having meaningful conversations with strangers a la \u201cBefore Sunrise\u201d.<\/p>\n

\"\"<\/span><\/p>\n

With a sound that is both worldly and otherworldly<\/em>, Beirut plays mournfully, with Balkan, Mexican, and Italian brass band influences, incorporating a myriad of horn instruments such as the trumpet, trombone, and flugelhorn, on top of numerous others. In fact, there were no fewer than five instruments played at a time, including drums, keyboards, and the glockenspiel.<\/p>\n

\"\"<\/span><\/p>\n

For nearly two hours, Zach Condon<\/strong> and his five-piece band captivated a packed, romance-craving crowd, capturing hearts and attention with a set that wholly encapsulated songs from all of his discography. From the very first notes of \u201cWhen I Die,\u201d we were hooked, drawn into a hypnotic daze of fuzzy memories and wanderlust. Even with the technical difficulties with the ukulele at the start, Condon was able to overshadow the brief feedback with his silken vocals and expert strumming.   <\/p>\n

“Beirut makes you nostalgic for a time that never really belonged to you… generating the feeling of missing something without necessarily knowing what it is.”<\/p>\n

Beirut released their sixth studio album Gallipoli<\/em> on February 1, nearly four years after the release of their 2015 No No No<\/em>. The latest album returns to the early days of the mournful and worldly tones of The Flying Club Cup <\/em>and Gulag Orkestrar<\/em>. Fans who weren\u2019t impressed with the deviation from the international sounds in the aforementioned album should be more than pleased with this rediscovered balance of modern indie-pop and traditional instrumentation. It\u2019s deeply emotional and nostalgic, with tracks that make the most of both lavish and minimalist horn patterns.<\/p>\n

\"\"<\/span><\/p>\n

Beirut\u2019s set was all about the music. No fancy backdrops, outfits, or even choreographed dance moves or speeches embellished the evening. When an audience member shouted out, \u201chappy birthday, Zach!\u201d he jokingly replied, \u201cthanks, I just turned 19.\u201d He added that he typically sits out Valentine\u2019s Day in favor of his birthday, which falls on the day before. However, aside from addressing the birthday wishes and audibly appreciating DC\u2019s excellent Ethiopian cuisine, Condon muttered \u201cthank you\u201d after \u201cthank you,\u201d unable to string together more than those words. Addressing it, he said, \u201cOn nights like these I feel like I should say something, but there\u2019s just flies buzzing up there.\u201d<\/p>\n

\"\"<\/span><\/p>\n

But there was no need for rehearsed speeches or one-sided conversation. Condon captivated with his magnetic and soaring vocals, singing songs that shared a brass motif, each one bleeding into the next, creating a fluent and near magical experience.<\/p>\n

I\u2019d always, selfishly, felt that \u201cPostcards from Italy<\/a>\u201d belonged to me and my past. But as soon as those familiar opening chords struck, and gasps and cheers fluttered to the front of the venue, I knew that this was a song everyone<\/em> had been waiting for. Couples squeezed closer, a woman behind me excitedly whispered, \u201cI\u2019m gonna cry!\u201d, and I shut my eyes in an attempt to be alone, to let the nostalgic romance overcome me.<\/p>\n

A lot has changed from the first time I\u2019d heard that song until now, but hearing it will always bring me back to those different stages of life. I will always associate Beirut and \u201cPostcards from Italy\u201d with him, with Michigan, last minute concert purchases, summer nights, and burned CDs. With car rides that went silent when this song came on, both then and now. How I will never be able to disassociate this from you, us, and then. And how I don\u2019t want to.<\/p>\n

And I will love to see that dayThat day is mineWhen she will marry me outside with the willow treesAnd play the songs we madeThey made me soAnd I would love to see that dayThat day was mine<\/p>\n

\/\/<\/span> <\/span>“Postcards From Italy” <\/span><\/strong> from Gulag Orkestrar<\/em><\/p>\n

Beirut makes you nostalgic for a time that never really belonged to you.<\/p>\n

Whether for a feeling you\u2019ve never had, or a time that has yet to come or will never come, Beirut generates the feeling of missing something without necessarily knowing what it is.<\/p>\n

Their music feels like it can change you, inspire you to become happier and more adventurous.<\/p>\n

Videos<\/strong><\/p>\n

Videos<\/strong><\/strong><\/strong><\/p>\n

Videos<\/strong><\/strong><\/strong><\/p>\n

\u200b<\/p>\n

Photo Gallery<\/strong><\/p>\n

Photo Gallery<\/strong><\/p>\n

Photo Gallery<\/strong><\/p>\n

Enjoy photos by our photographer Emily Vitek <\/a>of Emily Vitek Photography<\/a>.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

Listening to Beirut feels like falling in love. They\u2019re bold and multi-dimensional, inspiring a desire to travel and roam the streets of foreign cities, having meaningful conversations with strangers a la \u201cBefore Sunrise\u201d. With a sound that is both worldly and otherworldly, Beirut plays mournfully, with Balkan, Mexican, and Italian brass band influences, incorporating a myriad […]<\/p>\n","protected":false},"author":13,"featured_media":75174,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[13966,1927,11690,70],"class_list":["post-75170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concert-reviews","tag-beirut","tag-dc","tag-photosbyemilyvitek","tag-the-anthem","post-wrapper","thrv_wrapper"],"yoast_head":"\nBeirut Returns to the Stage After Four Years... and It Was Worth the Wait<\/title>\n<meta name=\"description\" content=\"Listening to Beirut feels like falling in love. 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